Under the Covers, Vol. 2 [Green Vinyl] by Matthew Sweet/Susanna Hoffs (Vinyl, 2009)

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About this product

Product Identifiers

Record LabelDemon Records (Uk)
UPC5014797902817
eBay Product ID (ePID)12050187422

Product Key Features

Release Year2009
FormatVinyl
GenreRock
TypeLP
ArtistMatthew Sweet/Susanna Hoffs
Release TitleUnder the Covers, Vol. 2 [Green Vinyl]

Additional Product Features

Country/Region of ManufactureUSA
ReviewsQ (Magazine) (p.117) - 3 stars out of 5 -- "[They trade] lead and backing vocals...drenching everything in lush harmonies....A sunny delight." Paste (magazine) (p.55) - "Like its predecessor, their new '70s retrospective uncannily re-creates indelible tracks from primary Sweet inspirations Todd Rundgren, Big Star, Fleetwood Mac and Yes..."
Additional informationA sequel to Matthew Sweet and Susanna Hoffs' 2007 stroll through the '60s was perhaps inevitable, at least as inevitable as the decision to devote Under the Covers, Vol. 2 to the super sounds of the '70s. Sweet and Hoffs tend to pick '70s songs that are a bit more familiar than their '60s selections, never digging out a Me Decade equivalent of Marmalade's "I See the Rain" or the Zombies' "Care of Cell #44," but instead punctuating AM pop hits and FM rock staples like "Sugar Magnolia," "Second Hand News," "All the Young Dudes," "You're So Vain," "I've Seen All Good People," and "Maggie May" with power pop by the Raspberries ("Go All the Way"), Big Star ("Back of a Car"), and Todd Rundgren, who has no less than two songs from Something/Anything? featured here. The influence of that 1972 double LP can be heard in the similarly homespun production of Under the Covers, Vol. 2 but where Rundgren was open-ended, Sweet neatly ties up every loose end with the care of a pop fetishist, making sure all the harmonies and guitar licks are in place, never adding any untasteful elements. Sometimes, everything is a little bit too pat and pretty -- particularly on "Sugar Magnolia," whose processed guitars sparkle too brightly -- but the duo's enduring, endearing love for this music is evident, sometimes infectious, and, at its best, throws out some surprises, like Susanna's soulful reading of "Maggie May."
Number of discs1

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