Product Information
Olivier Messiaen stands as one of the most influential composers of the twentieth century and among the foremost religious artists of any era. When he died in 1992, the prevailing image was of a deeply religious man whose only sources of inspiration were God and Nature, and of a composer whose music progressed along an entirely individual path, impervious to contemporaneous events and the whims both of his fellow artists and the critics. The Life of Messiaen paints a more nuanced picture of the man and the musician, peering behind Messiaen's public persona to examine the private difficulties and creative struggles that were the true backdrop to many of his greatest achievements. Based upon the latest research, including previously overlooked sources, this book provides an excellent introduction to Messiaen's life and work, presenting a fascinating new perspective of a man whose story is more remarkable than the myths surrounding it.Product Identifiers
PublisherCambridge University Press
ISBN-100521635470
ISBN-139780521635479
eBay Product ID (ePID)96283239
Product Key Features
Number of Pages274 Pages
Publication NameLife of Messiaen
LanguageEnglish
Publication Year2007
SubjectMusic & Dance
TypeTextbook
AuthorChristopher Dingle
Subject AreaBiography & Autobiography, Music
SeriesMusical Lives Ser.
FormatTrade Paperback (Us), Paperback
Dimensions
Item Height0.6 in
Item Weight13.8 Oz
Item Length8.5 in
Item Width5.4 in
Additional Product Features
Intended AudienceCollege Audience
Date of Publication22/03/2007
Place of PublicationCambridge
Spine15mm
Series TitleMusical Lives
Country of PublicationUnited Kingdom
GenreMusic & Dance
Author BiographyChristopher Dingle is Assistant Course Director (BMus) at Birmingham Conservatoire. In addition to the acclaimed biography The Life of Messiaen (CUP), he is author of Messiaen's Final Works (Ashgate, forthcoming), and co-editor with Nigel Simeone of Olivier Messiaen: Music, Art & Literature (Ashgate, 2007). He is the organiser of the Messiaen 2008 International Centenary Conference at Birmingham Conservatoire, having conceived and organised the watershed Messiaen 2002 Conference at Sheffield University. His research interests also include the history and function of Music Criticism and Twentieth Century performance practice. He is on the review panel for BBC Music Magazine and contributes regularly to Tempo.
Content Note27b/W Illus.
ImprintCambridge University Press