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About this product
Product Identifiers
PublisherHong KONG University Press
ISBN-109888083619
ISBN-139789888083619
eBay Product ID (ePID)113092562
Product Key Features
Number of Pages304 Pages
LanguageEnglish
Publication NameSoutheast Asian Independent Cinema
Publication Year2012
SubjectFilm / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism, Industries / Entertainment
TypeTextbook
AuthorTilman Baumgärtel
Subject AreaPerforming Arts, Business & Economics
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight15.5 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
Reviews"The book has great merits in giving all together a historical and contemporary picture of South-East Asian cinema which is little or not properly known." -- Jean Marc Thérouanne, Managing Director, Vesoul Asian Film Festival, Southeast Asian Independent Cinema is chockfull of vibrantly insightful essays, manifestos, and interviews. It is an invaluable resource for those interested in the region--and in a wildly creative generation of filmmakers that deserves to be in the globa|9789888083619|, That there is a vibrant independent cinema in Southeast Asia is now known thanks to the awards won by Brillante Mendoza, Apichatpong and others. But what is the sociopoliticultural context within which they are working? How do these iconoclastic, cutting|9789888083619|
Dewey Edition23
Grade FromCollege Graduate Student
IllustratedYes
Dewey Decimal791.430959
SynopsisThe rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and primary sources by important directors and screenwriters collectively provide readers with a lively account of dynamic film developments in Southeast Asia. Interviewees include Lav Diaz, Amir Muhammad, Apichatpong Weerasethakul, Eric Khoo, Nia Dinata and others.