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MAINARDI, ZECCHI Beethoven: Sonatas For Violoncello And Piano 3LP BOX New Vinyl - Picture 1 of 2

MAINARDI, ZECCHI Beethoven: Sonatas For Violoncello And Piano 3LP BOX New Vinyl - Picture 2 of 2

Sonatas for Violoncello and Piano (Beethoven) by Mainardi, Enrico (Record, 2020)

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About this product

Product Identifiers

Record LabelAnalogphonic, Aghc

UPC8808678161533

eBay Product ID (ePID)25046077707

Product Key Features

Release Year2020

FormatRecord

GenreClassical Artists

ArtistMainardi, Enrico

Release TitleSonatas for Violoncello and Piano (Beethoven)

Dimensions

Item Height0.66 in

Item Weight2.17 lb

Item Length12.63 in

Item Width12.61 in

Additional Product Features

Number of Tracks21

Country/Region of ManufactureUnited States

Tracks1.1 Sonate Fur Violoncello Und Klavier F-Dur Op. 5 NR. 1 1.2 Adagio Sostenuto 1.3 Allegro 1.4 Allegro Vivace 1.5 Sonate Fur Violoncello Und Klavier G-Moll Op. 5 NR. 2 1.6 Adagio Sostenuto Ed Espressivo 1.7 Allegro Mollo Piu Tosto Presto 1.8 Rondo: Allegro 2.1 Sonate Fur Violoncello Und Klavier A-Dur Op. 69 2.2 Allegro, Ma Non Tanto 2.3 Scherzo: Allegro Molto 2.4 Adagio Cantabile - Allegro Vivace 2.5 Sieben Variationen Uber Das Duett »Bei Mannern, Welche Liebe Fuhlen« Aus Der Oper »Die Zauberflote« Von Mozart 3.1 Sonate Fur Violoncello Und Klavier C-Dur Op. 102 NR. 1 3.2 Andante - Allegro Vivace 3.3 Adagio - Tempo D'andante - Allegro Vivace 3.4 Sonate Fur Violoncello Und Klavier D-Dur Op. 102 NR. 2 3.5 Allegro Con Brio 3.6 Adagio Con Molto Sentimento D'affetto 3.7 Allegro Fugato 3.8 Recorded October 17-20, 1955 (LP 1), May 27-30, 2956 (LP 2), January 6-10, 1957 (LP 3) at Beethovensaal, Hanover, Germany

Number of Discs3

Notes180g Audiophile Virgin Vinyl 3LP Box Set!Mastered From Original Analogue Masters Of Universal Music!Audiophile Analog Mastering By Rainer Maillard at Emil Berliner Studios! Pressed at Pallas!The complete Beethoven Cello Sonatas, recorded between 1955 and 1957 with Carlo Zecchi, adopts a much more universal approach than the Bach Suites. A noble statue of Beethoven is sculpted by the careful bowing of the cel-list. The technique is sharply executed, but the image created is restrained and serene. A Beethoven with such profound magnanimity and true humanity is not often heard today. Although a monaural recording, as with the Bach, the session recorded at Beethovensaal in Hanover benefits from the good mike setting, which vividly cap-tures the air movements of the recording venue and even the friction at the moment of bowing. It is a valuable record of the cellist who has reached his full maturity in his late 50s.