Public Worlds Ser.: Small Nation, Global Cinema : The New Danish Cinema by Mette Hjort (2005, Perfect)

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About this product

Product Identifiers

PublisherUniversity of Minnesota Press
ISBN-10081664649X
ISBN-139780816646494
eBay Product ID (ePID)21038730837

Product Key Features

Number of Pages336 Pages
Publication NameSmall Nation, Global Cinema : the New Danish Cinema
LanguageEnglish
SubjectFilm / History & Criticism
Publication Year2005
TypeTextbook
AuthorMette Hjort
Subject AreaPerforming Arts
SeriesPublic Worlds Ser.
FormatPerfect

Dimensions

Item Height0.9 in
Item Weight16.8 Oz
Item Length9 in
Item Width5.9 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN2005-002054
Dewey Edition22
Series Volume Number15
IllustratedYes
Dewey Decimal791.43/09489
SynopsisSmall Nation, Global Cinema engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema--the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort's concept of "small" nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University., Small Nation, Global Cinema engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema-the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort's concept of "small" nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University., "Small Nation, Global Cinema" engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema--the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort's concept of "small" nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University.
LC Classification NumberPN1993.5.D4H62 2005

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