Prince Henry Revived : Image and Exemplarity in Early Modern England by Timothy Wilks (2008, Hardcover)

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About this product

Product Identifiers

PublisherHolberton Publishing, Paul
ISBN-101903470579
ISBN-139781903470572
eBay Product ID (ePID)64159918

Product Key Features

Number of Pages312 Pages
Publication NamePrince Henry Revived : Image and Exemplarity in Early Modern England
LanguageEnglish
Publication Year2008
SubjectEurope / Great Britain / Stuart Era (1603-1714), Royalty, American / General, Europe / Great Britain / General
TypeTextbook
AuthorTimothy Wilks
Subject AreaArt, Biography & Autobiography, History
FormatHardcover

Dimensions

Item Height0.1 in
Item Weight41.7 Oz
Item Length1.1 in
Item Width0.9 in

Additional Product Features

Intended AudienceScholarly & Professional
Dewey Edition22
Grade FromCollege Graduate Student
IllustratedYes
Dewey Decimal941.061092
SynopsisThere can be few examples of more intensive fashioning and self-fashioning of a Renaissance figure than that of Prince Henry (1594-1612). This collection of essays re-examines the extraordinary artistic and cultural response to Prince Henry and presents many new findings in the context of recent scholarship. The investment of great hope in Prince Henry, and the extreme importance attached to the creation of a fitting image for him extending even to its posthumous development, indicate that early modern society regarded its leaders very differently than we do now. Essays illuminate the cultural program to which Prince Henry was subjected, an impossibly demanding role requiring such strenuous efforts that he became exhausted, took ill, and died young. His younger brother who survived him went on to become Charles I of England. Timothy Wilks is a member of the Faculty of Arts and Media, Southampton Solent University. Other contributors include Malcolm R. Smuts, Aysha Pollnitz, Michelle O'Callaghan, John A. Buchtel, Gilles Bertheau, Alexander Marr, Gail C. Weigl, Greogory McNamara, Elizabeth Goldring, Michael Ullyot, and David Trim., There can be few examples of intensive fashioning and self-fashioning by a Renaissance figure more remarkable than Prince Henry (1594-1612). Two decades after the appearance of Roy Strong's revelatory Henry Prince of Wales and England's Lost Renaissance this collection of essays reexamines the extraordinary artistic and cultural response to Prince Henry and presents many new findings in the context of recent scholarship., This collection of essays re-examines the extraordinary artistic and cultural responses to Prince Henry (1594-1612) and presents many new findings in the context of recent scholarship. The investment of great hopes in Prince Henry and the extreme importance attached to the creation of a fitting image for himeven to its posthumous developmentindicate that Early-modern society regarded its leaders very differently from our own.

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