ReviewsRolling Stone (11/89) - Ranked #1 in Rolling Stone's "100 Best Albums Of The Eighties" survey. Rolling Stone (11/89) - Ranked #1 in Rolling Stone's "100 Best Albums Of The Eighties" survey. Rolling Stone (p.100) - 5 stars out of 5 - "[The album] sounds crucial right now because of righteous blasts such as the title track." Q (5/02 SE, p.136) - Included in Q's "100 Best Punk Albums". Q (6/00, p.90) - Ranked #4 in Q's "100 Greatest British Albums" Q (12/99, pp.152-3) - 5 stars out of 5 - "...19-track, filler-free double album....the best Clash album and therefore among the very best albums ever recorded..." Q (5/02 SE, p.136) - Included in Q's "100 Best Punk Albums". Q (6/00, p.90) - Ranked #4 in Q's "100 Greatest British Albums" Q (12/99, pp.152-3) - 5 stars out of 5 - "...19-track, filler-free double album....the best Clash album and therefore among the very best albums ever recorded..." Uncut (p.122) - 5 stars out of 5 - "LONDON CALLING engages soul riffs, reggae beats and vintage rock'n'roll as a band of true blood brothers define their battle-scarred universe. As remarkable now as it was 25 years ago." Alternative Press (8/01, p.112) - Included in AP's "10 Essential '80s Albums". Alternative Press (3/00, pp.74-5) - 4 out of 5 - "...This is a definitive album in rock's pantheon, and surely a WHITE ALBUM for the sub-generation lost between hippie idealism and MTV digitalism..." Alternative Press (8/01, p.112) - Included in AP's "10 Essential '80s Albums". Alternative Press (3/00, pp.74-5) - 4 out of 5 - "...This is a definitive album in rock's pantheon, and surely a WHITE ALBUM for the sub-generation lost between hippie idealism and MTV digitalism..." Magnet (p.112) - "Big, arena-friendly anthems, infectious blue-beat winners and punch-drunk, New Orleans-style R&B workouts....[S]imply one of the era's landmark records." Magnet (p.112) - "Big, arena-friendly anthems, infectious blue-beat winners and punch-drunk, New Orleans-style R&B workouts....[S]imply one of the era's landmark records." CMJ (1/5/04, p.6) - Ranked #3 in CMJ's "Top 20 Most-Played Albums of 1980". CMJ (1/5/04, p.6) - Ranked #3 in CMJ's "Top 20 Most-Played Albums of 1980". Vibe (12/99, p.160) - Included in Vibe's 100 Essential Albums of the 20th Century Vibe (12/99, p.160) - Included in Vibe's 100 Essential Albums of the 20th Century Mojo (Publisher) (3/03, p.76) - Ranked #22 in Mojo's "Top 50 Punk Albums" - "...The iconic sleeve shot of a bass-shredding Paul Simonon is well matched by the music..." Mojo (Publisher) (3/03, p.76) - Ranked #22 in Mojo's "Top 50 Punk Albums" - "...The iconic sleeve shot of a bass-shredding Paul Simonon is well matched by the music..." Mojo (Publisher) (p.123) - 5 stars out of 5 - "The Clash demonstrated beyond any doubt that they had grown beyond their apocalyptic but parochial West London horizons to become a world-class band with a world-wide vision." NME (Magazine) (9/11/93, p.18) - Ranked #6 in NME's list of The Greatest Albums Of The '70s - "...
Additional informationAlso available in a 3-pack with THE CLASH and COMBAT ROCK. The Clash: Joe Strummer, Mick Jones (vocals, guitar); Paul Simonon (vocals, bass); Topper Headon (drums, percussion). Additional personnel includes: Baker Glare (whistling); The Irish Horns (brass); Micky Gallagher (organ). Digitally remastered by Ray Staff & Bob Whitney (Whitfield Street Studios, London, England). If punk rejected pop history, LONDON CALLING reclaimed it, albeit with a knowing perspective. The scope of this double set is breaktaking, encompassing reggae, rockabilly and the group's own furious mettle. Where such a combination might have proved over-ambitious, the Clash accomplish it with swaggering panache. Guy Stevens, who produced the group's first demos, returns to the helm to provide a confident, cohesive sound equal to the set's brilliant array of material. Boldly assertive and superbly focused, London Calling contains many of the quartet's finest songs and is, by extension, virtually faultless.