Heritage Ser.: Theory Rules : Art As Theory / Theory As Art by Will Straw (1996, Trade Paperback)

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About this product

Product Identifiers

PublisherUniversity of Toronto Press
ISBN-100802076572
ISBN-139780802076571
eBay Product ID (ePID)595526

Product Key Features

Number of Pages277 Pages
LanguageEnglish
Publication NameTheory Rules : Art As Theory / Theory As Art
Publication Year1996
SubjectCriticism & Theory, Art & Politics, Aesthetics, Anthropology / Cultural & Social, History / General
TypeTextbook
AuthorWill Straw
Subject AreaArt, Philosophy, Social Science
SeriesHeritage Ser.
FormatTrade Paperback

Dimensions

Item Height0.8 in
Item Weight23.5 Oz
Item Length8 in
Item Width5 in

Additional Product Features

Intended AudienceScholarly & Professional
Grade FromCollege Graduate Student
IllustratedYes
SynopsisThis volume answers some important new questions about the points of intersection between theory and visual art., In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory. The sixteen essays in this collection were originally presented at an international conference entitled Art as Theory / Theory and Art, ' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art., In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory. The sixteen essays in this collection were originally presented at an international conference entitled 'Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art.

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