About this product

Product Identifiers

PublisherOxford University Press, Incorporated

ISBN-100198878001

ISBN-139780198878001

eBay Product ID (ePID)2331774687

Product Key Features

Number of Pages286 Pages

LanguageEnglish

Publication NameEnglish Renaissance Manuscript Culture : the Paper Revolution

SubjectRenaissance, Communication Studies, General, Poetry

Publication Year2023

TypeTextbook

Subject AreaLiterary Criticism, Language Arts & Disciplines

AuthorSteven W. May

FormatHardcover

Dimensions

Item Height0.7 in

Item Weight20 Oz

Item Length9.2 in

Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional

Dewey Edition23

ReviewsMay (adjunct, Emory Univ.) writes in the introduction to this volume that his aim is "to establish how the introduction of the new paper technology in late medieval Europe made possible what became the hybrid Renaissance scribal tradition as distinct from its parchment-based predecessor." May's emphasis is on paper, "parchment, handwriting, and other physical aspects of textile production" with a focus on manuscript poetry. The first of seven chapters offers an account "of how writing technologies governed the development of literate culture in the West."... this is a pioneering study on the importance of paper and ink and the kinds of writing and communication that paper made possible...Highly recommended., "May (adjunct, Emory Univ.) writes in the introduction to this volume that his aim is "to establish how the introduction of the new paper technology in late medieval Europe made possible what became the hybrid Renaissance scribal tradition as distinct from its parchment-based predecessor." May's emphasis is on paper, "parchment, handwriting, and other physical aspects of textile production" with a focus on manuscript poetry. The first of seven chapters offers an account "of how writing technologies governed the development of literate culture in the West."... this is a pioneering study on the importance of paper and ink and the kinds of writing and communication that paper made possible...Highly recommended." -- Choice

IllustratedYes

Dewey Decimal091.094109031

Table Of ContentList of IllustrationsList of FiguresAbbreviations and Frequently Cited WorksAcknowledgmentsIntroduction1. The Transition to a Hybrid Scribal Culture2. Amateur Handwriting and Document Formats3. Personal Notebooks4. The Circulation of Texts: Coteries and the National Network5. Loss Rates and the Skewed Patterns of Survival6. The Network in Action: Classifying Poetic Manuscripts7. Notebook Origins: Tracking the TriadConclusionManuscripts CitedTexts CitedIndex

SynopsisEnglish Renaissance Manuscript Culture: The Paper Revolution shows how the advent of paper as a cheap and lasting medium of writing helped to create a new type of scribal culture--one distinct from its Medieval counterpart--in Renaissance England., English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership.As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper.Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds--works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts., English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership. As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper. Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds--works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts.

LC Classification NumberZ106.5