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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-100521344271
ISBN-139780521344272
eBay Product ID (ePID)1276393
Product Key Features
Number of Pages160 Pages
Publication NameEarly Arabic Drama
LanguageEnglish
Publication Year1988
SubjectMiddle Eastern, Drama
TypeTextbook
AuthorM. M. Badawi
Subject AreaLiterary Criticism, Drama
FormatHardcover
Dimensions
Item Height0.6 in
Item Weight13.3 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN87-015117
Dewey Edition19
Dewey Decimal892/.72/009
Table Of ContentIntroduction; 1. The indigenous dramatic tradition; 2. The father of the modern Egyptian theatre: Ya'qub Sannu'; 3. The Syrian contribution; 4. The search for Egyptian identity; Conclusion; Notes; Index.
SynopsisThis book, originally published in 1988, traces the development of Arabic drama from its beginnings in Lebanon in the mid-nineteenth century to its maturity reached in Egypt in the second and third decades of the twentieth. A brief discussion of the indigenous dramatic tradition is followed by an examination of the way in which modern drama was imported and adapted from the West independently by Marun Naqqash in Beirut and Ya'qub Sannu' in Cairo, both of whom were inspired by Italian opera and influenced by French comedy. The subsequent search for Egyptian identity is examined through the work of these writers in whose hands Arabic drama attained its maturity, notably Ibrahim Ramzi, Muhammad Taymur and Antun Yazbak. The book is written in a manner accessible to the non-Arabist as no knowledge of Arabic is presupposed., This book, originally published in 1988, traces the development of Arabic drama from its beginnings in Lebanon in the mid-nineteenth century to its maturity reached in Egypt in the second and third decades of the twentieth. A brief discussion of the indigenous dramatic tradition is followed by an examination of the way in which modern drama was imported and adapted from the West independently by Marun Naqqash in Beirut and Ya'q b Sann ' in Cairo, both of whom were inspired by Italian opera and influenced by French comedy. The subsequent search for Egyptian identity is examined through the work of these writers in whose hands Arabic drama attained its maturity, notably Ibrahim Ramzi, Muhammad Taymur and Antun Yazbak. The book is written in a manner accessible to the non-Arabist as no knowledge of Arabic is presupposed.", This book, originally published in 1988, traces the development of Arabic drama from its beginnings in Lebanon in the mid-nineteenth century to its maturity reached in Egypt in the second and third decades of the twentieth. The book is written in a manner accessible to the non-Arabist as no knowledge of Arabic is presupposed.