Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
About this product
Product Identifiers
PublisherIndiana University Press
ISBN-100253341175
ISBN-139780253341174
eBay Product ID (ePID)2304047
Product Key Features
Number of Pages328 Pages
Publication NameGender and Modern Irish Drama
LanguageEnglish
Publication Year2002
SubjectFeminism & Feminist Theory, Women Authors, Drama, General, European / English, Irish, Scottish, Welsh
TypeTextbook
Subject AreaLiterary Criticism, Social Science
AuthorSusan Cannon Harris
SeriesDrama and Performance Studies
FormatHardcover
Dimensions
Item Height0.9 in
Item Weight23.5 Oz
Item Length9.3 in
Item Width6.1 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2001-006882
Dewey Edition21
Series Volume NumberVol. 14
Dewey Decimal822.9120935
Table Of ContentPreliminary Table of Contents: Acknowledgments Introduction: Bodies and Blood 1. Body and Soul: Yeats, the Famine, and the Cathleens 2. Under Siege: Blood, Borders, and the Body Politic 3. Excess of Love: Padraig Perse and the Erotics of Sacrifice 4. The Body of Truth: Sensationalism and Sacrifice in Sean O'Casey's Dublin Tragedy 5. Misbirth of a Nation: Yeats and the Irish Free State Afterword Notes Bibliography Index
SynopsisGender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harris documents the material and discursive forces that produced Irish conceptions of gender. She looks at cultural constructions of the human body and their influence on nationalist rhetoric, linking the production and reception of the plays to conversations about public health, popular culture, economic policy, and racial identity that were taking place inside and outside the nationalist community. The book is both a crucial intervention in Irish studies and an important contribution to the ongoing feminist project of theorizing the production of gender and the body.