TracksSpontaneous Combustion, Still Talkin' to Ya, A Little Taste, Caribbean Cutie, Flamingo, The Song Is You, Cynthia's in Love, Cannonball, You'd Be So Nice to Come Home to, Street of Dreams, Falling in Love with Love, You Are Too Beautiful, Polka Dots and Moonbeams, The Masquerade Is Over, I've Never Been in Love Before, Little Girl Blue, I'm Glad There's You, Spectacular, Miss Jackie's Delight, Tribute to Brownie, Lover Man, A Foggy Day, Jeanie, The Way You Look Tonight, Another Kind of Soul, Spring Is Here, That Funky Train, Jubilation, What's New, If I Love Again, I'll Remember April, Fuller Bop Man, Stay on It, Love for Sale, Autumn Leaves, Somethin' Else, One for Daddy-O, Dancing in the Dark, Blue Funk, Minority, Nardis, Straight Life, A Little Taste, Jump for Joy, Blues Oriental, Serves Me Right, Groovin' High, Things Are Getting Better, The Sidewalks of New York, Sounds for Sid, Just One of Those Things, I've Told Every Little Star, Cannonball's Introduction - This Here, Spontaneous Combustion, Hi-Fly, You Got It!, Bohemia After Dark
Sub-GenreBox Sets
Notes2011 four CD collection. Cannonball Adderley's alto saxophone style displayed a solid grasp on ballads, Blues and driving Bebop tunes. He played with an irresistible sense of swing and a sound that mixed elements of Charlie Parker's diamond hard luminescence, Benny Carter's beautifully rich alto tone, Louis Jordan's strutting jump band phraseology and a touch of sanctified Gospel feel. These were the classic elements of hard bop, which Cannonball turned into a homogeneous style, that established him as the most popular exponent of the genre. In the late 1950's Cannonball absorbed more influences, such as aspects of the work of Miles Davis, Bill Evans, John Coltrane and even Ornette Coleman into his playing.