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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-100521554810
ISBN-139780521554817
eBay Product ID (ePID)838425
Product Key Features
Number of Pages220 Pages
Publication NameComposition of Old English Poetry
LanguageEnglish
SubjectOld & Middle English, General, European / English, Irish, Scottish, Welsh
Publication Year1997
TypeLanguage Course
Subject AreaLiterary Criticism, Foreign Language Study, Language Arts & Disciplines
AuthorHal Momma
SeriesCambridge Studies in Anglo-Saxon England Ser.
FormatHardcover
Dimensions
Item Height0.6 in
Item Weight17.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN96-018631
TitleLeadingThe
Series Volume NumberSeries Number 20
IllustratedYes
Table Of ContentList of figures; Preface; List of abbreviations; 1. Introduction; 2. Hierarchy of verse-likeness; 3. Word classification; 4. Kuhn's Laws and prosodical syntax; 5. Attached unstressed elements; 6. Detached unstressed elements; 7. Stressed elements; 8. Conclusion; Bibliography; Index.
SynopsisThis book offers an imaginative way of understanding the relationship between syntax and metre in Old English verse. It challenges the view that Old English poetry is composed in loose syntax to compensate for the strict requirements of prosody, such as metre and alliteration. It proposes instead that Old English poetry has incorporated prosody into its system. This 'prosodical' syntax is intended to replace the famous syntactic laws of Hans Kuhn through its greater accuracy and wider range of application. The author formulates three concise rules which apply not only to Beowulf and other classic Anglo-Saxon poems but to the entire Old English poetic corpus. Prosodical syntax bears witness to the oral origin of Old English poetry and sheds light on some aspects of performance: it enables the poet to produce an infinite variety of verse while keeping its grammar clear., Offers an imaginative way of understanding the relationship between syntax and metre in Old English poetry., This book offers an imaginative new way of understanding the relationship between syntax and meter in Old English verse. It challenges the view that Old English poetry is composed in loose syntax to compensate for the strict requirements of prosody, such as meter and alliteration. The author proposes a "prosodical" syntax to replace the syntactic laws of Hans Kuhn through its greater accuracy and wider range of application. She formulates three concise rules that apply to the entire Old English poetic corpus., This book offers an imaginative way of understanding the relationship between syntax and metre in Old English poetry. It challenges the view that verse was composed in loose syntax to compensate for the strict requirements of prosody. The author proposes a 'prosodical' syntax to replace the famous syntactic laws of Hans Kuhn.