About this product

Product Identifiers

PublisherCambridge University Press

ISBN-100521402662

ISBN-139780521402668

eBay Product ID (ePID)217591

Product Key Features

Number of Pages206 Pages

Publication NameHistory of Pianoforte Pedalling

LanguageEnglish

Publication Year1993

SubjectGeneral, Musical Instruments / Piano & Keyboard

TypeTextbook

Subject AreaMusic

AuthorDavid Rowland

SeriesCambridge Musical Texts and Monographs

FormatHardcover

Dimensions

Item Height0.7 in

Item Weight18.9 Oz

Item Length10 in

Item Width7.1 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN92-037065

Reviews"Rowland has done a great service by gathering together all of the 'hard' evidence: quotations from treatises, descriptions of performances, students' accounts, and musical examples with composers' pedal markings. Pianists will find much that is fascinating ..." Early Keyboard Journal, "Although this is admittedly a highly specialized study, it is one that should not be neglected by musical historians, or by pianists who are interested in improving their understanding of the music of the past." Notes

Dewey Edition20

TitleLeadingA

IllustratedYes

Dewey Decimal786.2193809

Table Of ContentAcknowledgements; Introduction; Part I: The Instruments: 1. The transition from the harpsichord and clavichord to the piano; 2. Stops, levers and pedals; Part II. Pedalling and the Early Pianists: 3. Documentary accounts of early pedalling; 4. Early technique of the pedals as described in tutors; 5. Early pedal markings; 6. Mozart and his contemporaries; Part III. Pedalling After c.1820: 7. The emergence of modern pedalling; 8. The sustaining pedal after c.1800; 9. Other pedals from c.1800; Appendix: J. P. Milchmeyer, Die wahre Art das Pianoforet zu spielen; Louis Adam: Méthode de Piano du Conservatoire; Daniel Steibelt, Méthode de Piano.

SynopsisDavid Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin. In addition, he follows the transition from harpsichord and clavichord to piano and outlines the physical properties of the various stops, levers, and pedals available at the different stages of the instrument's development. The book also includes an appendix of translated extracts from three well-known piano-pedalling tutors. It will be of interest to students and scholars of music history and performance practice, as well as to pianists., David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. He examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano.

LC Classification NumberMT227 .R72 1993