About this product

Product Identifiers

PublisherCambridge University Press

ISBN-100521000408

ISBN-139780521000406

eBay Product ID (ePID)1884949

Product Key Features

Number of Pages280 Pages

Publication NameCambridge Companion to the Guitar

LanguageEnglish

Publication Year2003

SubjectMusical Instruments / Guitar, General

TypeTextbook

Subject AreaMusic

AuthorJonathan Cross

SeriesCambridge Companions to Music Ser.

FormatTrade Paperback

Dimensions

Item Height0.7 in

Item Weight17.6 Oz

Item Length9.8 in

Item Width6.9 in

Additional Product Features

Intended AudienceCollege Audience

LCCN2002-025691

Dewey Edition21

TitleLeadingThe

Reviews'A certain novelty of perspective makes for an enlightening read, leaving the reader at the centre of historical and sociological threads that run across the essays as opposed to hopping from island to island of isolated stylistic pieces â€¦ This wide-angled view permeates the whole book, making for an engaging acknowledgement that social context and direct application of, and experimentation with, technique can transcend genre â€¦ strikes a neat balance between comprehensiveness and depth â€¦'. Journal of Popular Music, 'A certain novelty of perspective makes for an enlightening read, leaving the reader at the centre of historical and sociological threads that run across the essays as opposed to hopping from island to island of isolated stylistic pieces ... This wide-angled view permeates the whole book, making for an engaging acknowledgement that social context and direct application of, and experimentation with, technique can transcend genre ... strikes a neat balance between comprehensiveness and depth ...'. Journal of Popular Music

IllustratedYes

Dewey Decimal787.87

Table Of ContentPart I. New Guitar Histories and World Traditions: 1. Picking through cultures: a guitarist's music history Victor Anand Coelho; 2. Flamenco guitar: history, style, status Peter Manuel; 3. The Celtic guitar: crossing cultural boundaries in the twentieth century Chris Smith; 4. African reinventions of the guitar Banning Eyre; Part II. Roots and Rock: 5. The guitar in jazz Graeme Boone; 6. A century of blues guitar Jas Obrecht; 7. Rock guitar from the 1950s to the 1970s: the turn to noise Steve Waksman; 8. Rock guitar since 1980: contesting virtuosity Steve Waksman; 9. The guitar in country music Gordon Ross; Part III. Baroque and Classical Guitar Today: 10. Radical innovations, social revolution, and the Baroque guitar Craig Russell; 11. The revival of the classical guitar in the twentieth century David Tanenbaum; 12. Stradivari and Baroque guitar construction Stewart Pollens; Select bibliography; Glossary.

SynopsisThis is the first book to encompass the breadth and depth of guitar performance, featuring essays which cover different guitar traditions and styles, from baroque, classical, country, blues, and rock to flamenco, African and Celtic, written by some of the most influential players, teachers, and guitar historians in the world., Featuring thirteen essays covering different traditions, styles, and instruments, this study is written by influential players, teachers and guitar historians. Its coverage allows the guitarist to learn the analogies and differences between traditions and styles. The genres range from baroque, classical, country, blues and rock to flamenco, African and Celtic., From the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.

LC Classification NumberML1015.G9C23 2002