About this product

Product Identifiers

PublisherBloomsbury Publishing

ISBN-101839024917

ISBN-139781839024917

eBay Product ID (ePID)16058369398

Product Key Features

Educational LevelHigh School, Elementary School

Number of Pages112 Pages

LanguageEnglish

Publication NameLost in Translation

Publication Year2023

SubjectFilm / General, Feminism & Feminist Theory

TypeStudy Guide

AuthorSuzanne Ferriss

Subject AreaPerforming Arts, Social Science

SeriesBfi Film Classics Ser.

FormatTrade Paperback

Dimensions

Item Height0.4 in

Item Weight6.6 Oz

Item Length7.4 in

Item Width5.3 in

Additional Product Features

Intended AudienceElementary/High School

Dewey Edition23

Reviews"Ferriss finds precision amid ambiguity in her acute study of Sofia Coppola's second feature. . . . Sharp on the movie-wise banter between Bob and Charlotte, she's equally sensitive to the film's unspoken, unresolved feelings: in Ferriss' reading, Lost unfolds like a pop song, its fragments charged with lingering feeling." -- Total Film, Ferriss finds precision amid ambiguity in her acute study of Sofia Coppola's second feature. . . . Sharp on the movie-wise banter between Bob and Charlotte, she's equally sensitive to the film's unspoken, unresolved feelings: in Ferriss' reading, Lost unfolds like a pop song, its fragments charged with lingering feeling.

IllustratedYes

Dewey Decimal791.4372

Table Of ContentAcknowledgments Introduction 1. Trip Planning 2. Arrivals 3. Accommodations 4. Sights 5. Departures 6. Reception Notes Credits Bibliography

SynopsisSofia Coppola's Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Charlotte (Scarlett Johansson), a recent graduate in philosophy, faces an uncertain professional future, while Bob Harris (Bill Murray), an established celebrity, questions his choices at midlife. Both are distant - emotionally and spatially - from their spouses. They are lost until they develop an intimate connection. In the film's poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation 's structuring device of travel: her analysis takes the form of a trip, from planning to departure. She details the complexities of filming (a 27-day shoot with no permits in Tokyo), explores Coppola's allusions to fine art, subtle colour palette and use of music over words, and examines the characters' experiences of the Park Hyatt Tokyo and excursions outside, together and alone. She also re-evaluates the film in relation to Coppola's other features, as the product of an established director with a distinctive cinematic signature: 'Coppolism'. Fundamentally, Ferriss argues that Lost in Translation is not only a cinema classic, but classic Coppola too., Sofia Coppola's Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Charlotte (Scarlett Johansson), a recent graduate in philosophy, faces an uncertain professional future, while Bob Harris (Bill Murray), an established celebrity, questions his choices at midlife. Both are distant -- emotionally and spatially -- from their spouses. They are lost until they develop an intimate connection. In the film's poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation 's structuring device of travel: her analysis takes the form of a trip, from planning to departure. She details the complexities of filming (a 27-day shoot with no permits in Tokyo), explores Coppola's allusions to fine art, subtle colour palette and use of music over words, and examines the characters' experiences of the Park Hyatt Tokyo and excursions outside, together and alone. She also re-evaluates the film in relation to Coppola's other features, as the product of an established director with a distinctive cinematic signature: 'Coppolism'. Fundamentally, Ferriss argues that Lost in Translation is not only a cinema classic, but classic Coppola too.

LC Classification NumberPN1997.2