Publication NameAuthority and the Mountaineer in Cormac Mccarthy's Appalachia
SubjectRegional Studies, General, American / General
Publication Year2013
TypeTextbook
AuthorGabe Rikard
Subject AreaLiterary Criticism, Social Science
FormatTrade Paperback
Dimensions
Item Height0.5 in
Item Weight12.2 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2013-025864
Dewey Edition23
Number of Volumes1 vol.
IllustratedYes
Dewey Decimal813.54
Table Of ContentTable of Contents Abbreviations vi Preface 1 An Historical Prelude: The Whiskey Rebellion 7 Introduction: An Archeology of Authority and Appalachia 21 One. Spatializing Conduits: The Roads of Appalachia 41 Two. Modernizing Discipline: Mill Villages, Metropolises and Mountaineers 86 Three. A Case of the Superlative: Lester Ballard, Mountaineers, Children of God and Men 131 Four. The Construction and Maintenance of Icon, or Fantasizing the Mountaineer 167 Coda: Atavising the Mountaineer: The Road 207 Notes 227 References 229 Index 237
SynopsisUses Michel Foucault's theories on power, resistance and discipline to analyze the interactions of mountaineers and the authorities who have attempted to ""modernise"" them. The book shows how Cormac McCarthy manipulates Appalachian regional images while simultaneously engaging in a form of archeology of Appalachian constructs. Initially grounding the analysis in American history, the book explores the interplay of the dominance/resistance duality., The author uses theories on power, resistance and discipline developed by Michel Foucault to analyze the interactions of mountaineers and the authorities who have attempted to "modernize" them. The book shows how McCarthy manipulates Appalachian images while engaging in a form of archeology of Appalachian constructs. Initially the book explores the interplay of the dominance/resistance duality. Roads provided ways into the mountains for industry and ways out for the mountaineer, cotton mill villages and regional cities served as "disciplined" destinations for Appalachian out-migrants. McCarthy's character Lester Ballard ( Child of God ) represents the epitome of hillbilly delinquency. The author explains how the iconic image of the mountaineer--a notion cultivated by fiction writers, benevolent organizations, and academics--"othered" the mountain people as deviants. The book ends by considering the ways in which The Road returns to the rhetorical and geographical region of his early work, and how it fits into McCarthy's Appalachian oeuvre.