About this product

Product Identifiers

Record LabelMobile Fidelity, Mofy

UPC0821797246118

eBay Product ID (ePID)18046053762

Product Key Features

FormatRecord

Release Year2018

GenreRock

ArtistBob Dylan

Release TitleAnother Side of Bob Dylan

Dimensions

Item Height0.38 in

Item Weight1.82 lb

Item Length12.67 in

Item Width12.50 in

Additional Product Features

Number of Tracks11

Country/Region of ManufactureUnited States

TracksAll I Really Want to Do, Black Crow Blues, Spanish Harlem Incident, Chimes of Freedom, I Shall Be Free No. 10, To Ramona, Motorpsycho Nightmare, My Back Pages, I Don't Believe You, Ballad in Plain D, It Ain't Me Babe

Number of Discs2

NotesLimited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. The ever-evasive Bob Dylan never explicitly stated exactly what represented the "another side" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful. The uninhibited joie de vive is discernible in the rattling piano lines on "Black Crow Blues," seemingly subconscious ramble of the hysterical folk rhyming of "Motorpsycho Nightmare," bluesy dream sequencing throughout "I Don't Believe You," and intentionally out-of-tune yodeling during "All I Really Want to Do." On a majority of the prized set, Dylan let's his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.