5.98 EP-Garage Days Re-Revisited by Metallica (Cassette, 2018)

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C $21.80
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ApproximatelyS$ 20.64
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Estimated delivery Thu, 8 May - Thu, 15 May
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About this product

Product Identifiers

Record LabelBlackened Recordings, Bkrg
UPC0858978005745
eBay Product ID (ePID)13046059817

Product Key Features

FormatCassette
Release Year2018
GenreRock
ArtistMetallica
Release Title5.98 EP-Garage Days Re-Revisited

Dimensions

Item Height0.65 in
Item Weight0.13 lb
Item Length4.28 in
Item Width2.75 in

Additional Product Features

Number of Tracks5
Country/Region of ManufactureUnited States
Tracks1.1 Helpless Sean Harris, Brian Tatler Diamond Head 6:39 1.2 The Small Hours John Mortimer Holocaust 6:43 1.3 The Wait Jaz Coleman, Geordie Walker, Martin Glover, Paul Ferguson Killing Joke 4:55 1.4 Crash Course in Brain Surgery Burke Shelley, Tony Bourge, Ray Phillips Budgie 3:10 1.5 Last Caress/Green Hell Glenn Danzig Misfits 3:30
Number of Discs1
Sub-GenreHeavy Metal
NotesTITLE: The $5.98 EP - Garage Days Re-Revisited (Remastered)(Cassette) - Metallica is easily one of the best, most influential heavy metal band of the '80s. Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. They expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions. The $5.98 E.P.: Garage Days Re-Revisited is an extended play by American heavy metal band Metallica. It was released on August 21, 1987 by Elektra Records. The extended play consisted entirely of covers of late-'70s and early-'80s new wave of British heavy metal bands and hardcore punk music rehearsed in Lars Ulrich's soundproofed garage and then recorded in Los Angeles over the course of six days. It was the group's first recording to feature it's new bassist Jason Newsted, and also the band's first release following the death of second bassist Cliff Burton. They expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions.

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