PATHS TO ABSTRACTION 1867-1917

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ApproximatelyS$ 77.75
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eBay item number:406433891727

Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Pages
296
Book Condition
NF in NF dust jacket
Cover
Hardcover
Features
Quick shipping, excellent customer service. All books carefully, packaged in boxes and ship with tracking information.
Defects
Hardback in Near Fine condition with Near Fine dust jacket
ISBN
9783791350912
Category

About this product

Product Identifiers

Publisher
Prestel Gmbh & Co KG.
ISBN-10
3791350919
ISBN-13
9783791350912
eBay Product ID (ePID)
99646778

Product Key Features

Book Title
Paths to Abstraction 1867-1917
Number of Pages
296 Pages
Language
English
Publication Year
2011
Topic
History / Modern (Late 19th Century to 1945), History / Contemporary (1945-), Collections, Catalogs, Exhibitions / General, History / General
Illustrator
Yes
Genre
Art
Author
Terence Maloon
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
20 oz
Item Length
11 in
Item Width
9.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
709.034
Synopsis
This survey of five decades of late nineteenth and early twentieth century abstract art chronicles the evolution of a movement that the book argues was the inevitable precursor to Modernism., This survey of five decades of late nineteenth and early twentieth century abstract art chronicles the evolution of a movement that the book argues was the inevitable precursor to Modernism. Filled with full page reproductions as well as stunning details of some of the most influential abstract paintings of the late nineteenth and early twentieth centuries, this important volume follows the broad and diverse ways that painters such as Whistler, Monet, Cezanne, Denis, Vuillard, Matisse, Derain, Picasso, and Braque learned from each other as they embarked on an entirely new kind of expression. Informative and fascinating essays explore questions such as how these artists arrived at such a convergence; why abstract art took root so quickly; and why has it never been singled out by critics or historians as an independent art movement. This beautifully produced volume illustrates how abstraction arose directly from a tradition of speculation about the nature of art and aesthetic experience.

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