
Folk Music U.S.A. The Changing Voice of Protest Ronald Lankford History Book
US $17.95US $17.95
Aug 14, 05:59Aug 14, 05:59
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Folk Music U.S.A. The Changing Voice of Protest Ronald Lankford History Book
US $17.95
ApproximatelyS$ 23.04
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
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US $5.95 (approx S$ 7.64) USPS Media MailTM.
Located in: Minneapolis, Minnesota, United States
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Estimated between Mon, 18 Aug and Sat, 23 Aug to 94104
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eBay item number:406044993476
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Country/Region of Manufacture
- United States
- Subject
- Performing Arts
- Series
- Omnibus Press
- Brand
- G. Schirmer, Inc.
- Type
- Book
- Binding
- Paperback
- ISBN
- 9780825673009
About this product
Product Identifiers
Publisher
Music Sales Corporation
ISBN-10
0825673003
ISBN-13
9780825673009
eBay Product ID (ePID)
44398420
Product Key Features
Book Title
Folk Music U. S. A. : the Changing Voice of Protest
Number of Pages
208 Pages
Language
English
Topic
Genres & Styles / Folk & Traditional
Publication Year
2005
Illustrator
Yes
Genre
Music
Format
Perfect
Dimensions
Item Height
0.6 in
Item Weight
13.8 Oz
Item Length
9.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-028955
Dewey Edition
22
Dewey Decimal
781.62/00973/09045
Synopsis
This definitive story of American folk music focuses on how a minority music genre suddenly became the emergent voice of a generation at the end of the Eisenhower years. From Kingston Trio's "Tom Dooley" in 1958 to Bob Dylan's electric performance at the Newport Folk Festival in 1965, folk influenced American culture and eventually became absorbed into popular music. The author also explores how authentic folk is now experiencing a second revival, taking its place in our contemporary fascination with roots music., This definitive story of American folk music focuses on how a minority music genre suddenly became the emergent voice of a generation at the end of the Eisenhower years. Go back to a more innocent time of Washington Square jam sessions, Pete Seeger sing-alongs, and Greenwich Village coffee houses. The book shows how the social issues of early rural folk music were adapted by young people in the late fifties as college students bought guitars and banjos, attended hootenannies, and marched on the Capital for Civil Rights. They neglected their textbooks for copies of Sing Out! and Broadside, and spent their hard-earned cash on the latest Joan Baez album and Limeliters? concert. From Kingston Trio's "Tom Dooley" in 1958 to Bo ( Dylan's electric performance at the Newport Folk Festival in 1965, folk influenced American culture and eventually became absorbed into popular music. The author also explores how authentic folk is now experiencing a second revival.
LC Classification Number
ML3551.L28 2005
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