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Genesis – Michel Serres – Softcover
US $13.20
ApproximatelyS$ 16.96
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Condition:
“Bend in cover. Some minor red ink underlining through the first 30 pgs. Otherwise, in good shape. ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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US $5.97 (approx S$ 7.67) USPS Media MailTM.
Located in: York, Pennsylvania, United States
Delivery:
Estimated between Tue, 26 Aug and Tue, 2 Sep to 94104
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No returns accepted.
Coverage:
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eBay item number:405479771195
Item specifics
- Condition
- Good
- Seller Notes
- ISBN
- 9780472084357
About this product
Product Identifiers
Publisher
University of Michigan Press
ISBN-10
0472084356
ISBN-13
9780472084357
eBay Product ID (ePID)
157925
Product Key Features
Book Title
Genesis
Number of Pages
152 Pages
Language
English
Publication Year
1997
Topic
General, Essays
Illustrator
Yes
Genre
Literary Criticism, Literary Collections
Book Series
Studies in Literature and Science Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
An intensely beautiful and rigourous meditation on the birth of forms amid chaos and multiplicity from a major philosopher who is also an exquisite craftsman of the written word." -William Paulson, University of Michigan "Serres exhibits a rare, raw tendentiousness refreshing in its vitriol . . . it's the sort of light-hearted, perverse, and basically liberal tirade one hears too infrequently of late." - Word
Dewey Edition
20
Dewey Decimal
844/.914
Synopsis
This English translation of Michel Serres' 1982 book Gen se captures in lucid prose the startling breadth and depth of his thinking, as he probes the relations between order, disorder, knowledge, anxiety, and violence. Written in a unique blend of scientific discourse and lyrical outburst, classical philosophical idiom and conversational intimacy, by turns angry, playful, refined or discordant, Genesis is an attempt to think outside of metaphysical categories of unity or rational order and to make us hear--through both its content and form--the "noise," the "sound and the fury," that are the background of life and thought. Serres draws on a vast knowledge of such diverse disciplines as anthropology, classical history, music, theology, art history, information theory, physics, biology, dance and athletics, and Western metaphysics, and a range of cultural material that includes the writings of Plato, Kant, August Comte, Balzac, and Shakespeare, to name a few. He argues that although philosophy has been instrumental in the past in establishing laws of logic and rationality that have been crucial to our understanding of ourselves and our universe, one of the most pressing tasks of thought today is to recognize that such pockets of unity are islands of order in a sea of multiplicity--a sea which cannot really be conceived, but which perhaps can still be sensed, felt, and heard raging in chaos beneath the momentary crests of order imposed by human civilization. Philosophy of science or prose poetry, a classical meditation on metaphysics or a stream-of-consciousness polemic and veiled invective, Serres mounts a quirky, at times rhapsodical, but above all a "noisy" critique of traditional and current models in social theory, historiography, and aesthetics. The result is a work that is at once provocative, poetic, deeply personal, and ultimately religious--an apocalyptic call for the rebirth of philosophy as the art of thinking the unthinkable. About the Book: "An intensely beautiful and rigourous meditation on the birth of forms amid chaos and multiplicity from a major philosopher who is also an exquisite craftsman of the written word." --William Paulson, University of Michigan "Serres exhibits a rare, raw tendentiousness refreshing in its vitriol . . . it's the sort of light-hearted, perverse, and basically liberal tirade one hears too infrequently of late." -- Word, A lyrical, breathtaking exploration of the chaos and multiplicity that underlie imposed conventions of order, This English translation of Michel Serres' 1982 book Genèse captures in lucid prose the startling breadth and depth of his thinking, as he probes the relations between order, disorder, knowledge, anxiety, and violence. Written in a unique blend of scientific discourse and lyrical outburst, classical philosophical idiom and conversational intimacy, by turns angry, playful, refined or discordant, Genesis is an attempt to think outside of metaphysical categories of unity or rational order and to make us hear--through both its content and form--the "noise," the "sound and the fury," that are the background of life and thought. Serres draws on a vast knowledge of such diverse disciplines as anthropology, classical history, music, theology, art history, information theory, physics, biology, dance and athletics, and Western metaphysics, and a range of cultural material that includes the writings of Plato, Kant, August Comte, Balzac, and Shakespeare, to name a few. He argues that although philosophy has been instrumental in the past in establishing laws of logic and rationality that have been crucial to our understanding of ourselves and our universe, one of the most pressing tasks of thought today is to recognize that such pockets of unity are islands of order in a sea of multiplicity--a sea which cannot really be conceived, but which perhaps can still be sensed, felt, and heard raging in chaos beneath the momentary crests of order imposed by human civilization. Philosophy of science or prose poetry, a classical meditation on metaphysics or a stream-of-consciousness polemic and veiled invective, Serres mounts a quirky, at times rhapsodical, but above all a "noisy" critique of traditional and current models in social theory, historiography, and aesthetics. The result is a work that is at once provocative, poetic, deeply personal, and ultimately religious--an apocalyptic call for the rebirth of philosophy as the art of thinking the unthinkable. About the Book: "An intensely beautiful and rigourous meditation on the birth of forms amid chaos and multiplicity from a major philosopher who is also an exquisite craftsman of the written word." --William Paulson, University of Michigan "Serres exhibits a rare, raw tendentiousness refreshing in its vitriol . . . it's the sort of light-hearted, perverse, and basically liberal tirade one hears too infrequently of late." -- Word
Item description from the seller
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