Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance HC

colmex
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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
ISBN
9780300096804
Category

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300096801
ISBN-13
9780300096804
eBay Product ID (ePID)
6045905

Product Key Features

Book Title
Raphael, Dürer, and Marcantonio Raimondi : Copying and the Italian Renaissance Print
Number of Pages
224 Pages
Language
English
Publication Year
2004
Topic
Criticism & Theory, General, History / General
Illustrator
Yes
Genre
Art
Author
Lisa Pon
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
34.3 Oz
Item Length
1 in
Item Width
0.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2003-113606
Dewey Edition
23
Dewey Decimal
769.94509031
Synopsis
In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts., In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht D rer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.
LC Classification Number
NE444

Item description from the seller

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colmex

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