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The Ethics of Aesthetics in Japanese Cinema - Paperback, by Cornyetz Nina - Good

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Book Title
The Ethics of Aesthetics in Japanese Cinema and Literature: Polyg
ISBN
9780415474603

About this product

Product Identifiers

Publisher
Routledge
ISBN-10
0415474604
ISBN-13
9780415474603
eBay Product ID (ePID)
66589075

Product Key Features

Number of Pages
226 Pages
Publication Name
Ethics of Aesthetics in Japanese Cinema and Literature : Polygraphic Desire
Language
English
Publication Year
2008
Subject
Film / General, Asian / Japanese, Film / History & Criticism, Subjects & Themes / General
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Author
Nina Cornyetz
Format
Uk-B Format Paperback

Dimensions

Item Height
0.7 in
Item Weight
12 Oz
Item Length
6.1 in
Item Width
9.2 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
22
TitleLeading
The
Dewey Decimal
895.6/0935520904
Table Of Content
Introduction Part 1: Woman as Second Nature and Other Fascist Proclivities 1. Myth-Making 2. Fascist Aesthetics 3. Kawabata and Fascist Aesthetics 4. Virgins and Other Little Objects Part 2: The Politics of Climate and Community in Woman in the Dunes and "The Idea of the Desert" 5. A Preface to Woman in the Dunes: Space, Geopolitics, and The Idea of the Desert 6. Social Networks and the Subject 7. Technologies of Grazing Part 3: Naming Desire: Mishima Yukio and the Politics of "Sexuation" 8. Textualizing Flesh, or, (In)articular Desire 9. Narcissism and Sadism: Mishima as Homofascist 10. The Homosocial Fixing of Desire Part 4: Scripting the Scopic: Disinterest in Double Suicide
Synopsis
This is an innovative, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s, through the Second World War and into the post-war period. Nina Cornyetz embarks on new and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, for instance works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts' aesthetic and philosophic brilliance. Cornyetz uniquely opens up the field in a fresh and controversial way by showing how these authors and filmmakers' concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Probing questions are asked such as: How did Japanese fascism and imperialism ideologically, politically and aesthetically impact on these literary/cinematic giants? How did the emperor as the 'nodal point' for Japanese national identity affect their ethics? What were the repercussions of the virtual collapse of the Marxist movement in the 1960s? What are the similarities and differences between pre-war, wartime and post-war ideals of beauty and those of fascist aesthetics in general? This ground-breaking work is truly interdisciplinary and will appeal to students and scholars of Japanese literature, film, gender, culture, history and even psychoanalytic theory., This is an innovative, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s, through the Second World War and into the post-war period. Nina Cornyetz embarks on new and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, for instance works by Kawabata Yasunari, Mishima Yukio, Abe K b and Shinoda Masahiro, all renowned for their texts' aesthetic and philosophic brilliance. Cornyetz uniquely opens up the field in a fresh and controversial way by showing how these authors and filmmakers' concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Probing questions are asked such as: How did Japanese fascism and imperialism ideologically, politically and aesthetically impact on these literary/cinematic giants? How did the emperor as the 'nodal point' for Japanese national identity affect their ethics? What were the repercussions of the virtual collapse of the Marxist movement in the 1960s? What are the similarities and differences between pre-war, wartime and post-war ideals of beauty and those of fascist aesthetics in general? This ground-breaking work is truly interdisciplinary and will appeal to students and scholars of Japanese literature, film, gender, culture, history and even psychoanalytic theory., This is a groundbreaking, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s through the Second World War and into the post-war period.
LC Classification Number
PL723.C67 2008

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