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Exhibition Catalog Reality Bites Making Avant-Garde Art in Post Wall Germany LN
US $17.81
ApproximatelyS$ 23.01
Condition:
“Flexible Softcover. Like new condition. Contents have no writing, no highlighting, no creases, no ”... Read moreabout condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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US $4.99 (approx S$ 6.45) USPS Media MailTM.
Located in: Saint Louis, Missouri, United States
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Estimated between Wed, 1 Oct and Sat, 4 Oct to 94104
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eBay item number:404570368915
Item specifics
- Condition
- Like New
- Seller Notes
- Special Attributes
- 1st Edition
- Country/Region of Manufacture
- Germany
- ISBN
- 9783775719063
About this product
Product Identifiers
Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775719067
ISBN-13
9783775719063
eBay Product ID (ePID)
57566582
Product Key Features
Original Language
English
Book Title
Reality Bites : Making Avantgarde Art in Post-Wall Germany/Kunstnach Dem Mauerfall
Number of Pages
300 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / General, Aesthetics
Publication Year
2007
Illustrator
Yes
Genre
Art, Philosophy
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
65.4 Oz
Item Length
12 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Trade
Number of Volumes
1 vol.
Synopsis
Edited by Sabine Eckmann. Text by Diedrich Diederichsen, Sabine Eckmann, Beate Kemfert, Gertrud Koch, Lutz Koepnick, Iain Whyte., The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, Andr Korpys, Markus L ffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risqu work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape., The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, Andre Korpys, Markus Loffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risque work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape., The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, André Korpys, Markus Löffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risqué work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape.
LC Classification Number
N6868.6.R435 2007
Item description from the seller
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