Exhibition Catalog Reality Bites Making Avant-Garde Art in Post Wall Germany LN

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Condition:
Like New
Flexible Softcover. Like new condition. Contents have no writing, no highlighting, no creases, no ... Read moreabout condition
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Item specifics

Condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Flexible Softcover. Like new condition. Contents have no writing, no highlighting, no creases, no ...
Special Attributes
1st Edition
Country/Region of Manufacture
Germany
ISBN
9783775719063
Category

About this product

Product Identifiers

Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775719067
ISBN-13
9783775719063
eBay Product ID (ePID)
57566582

Product Key Features

Original Language
English
Book Title
Reality Bites : Making Avantgarde Art in Post-Wall Germany/Kunstnach Dem Mauerfall
Number of Pages
300 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / General, Aesthetics
Publication Year
2007
Illustrator
Yes
Genre
Art, Philosophy
Author
Diedrich Diederichsen
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
65.4 Oz
Item Length
12 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Trade
Number of Volumes
1 vol.
Synopsis
Edited by Sabine Eckmann. Text by Diedrich Diederichsen, Sabine Eckmann, Beate Kemfert, Gertrud Koch, Lutz Koepnick, Iain Whyte., The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, Andr Korpys, Markus L ffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risqu work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape., The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, Andre Korpys, Markus Loffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risque work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape., The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, André Korpys, Markus Löffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risqué work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape.
LC Classification Number
N6868.6.R435 2007

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