Indian Music and the West by Gerry Farrell: New

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Book Title
Indian Music and the West
Publication Date
2000-03-09
Pages
254
ISBN
9780198167174
Category

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198167172
ISBN-13
9780198167174
eBay Product ID (ePID)
475547

Product Key Features

Number of Pages
254 Pages
Publication Name
Indian Music and the West
Language
English
Subject
Ethnomusicology, Ethnic
Publication Year
2000
Features
Reprint
Type
Textbook
Author
Gerry Farrell
Subject Area
Music
Series
Clarendon Paperbacks Ser.
Format
Uk-Trade Paper

Dimensions

Item Height
0.6 in
Item Weight
14.1 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
21
Reviews
'the first thoroughly researched work examining the ways the West has engaged Indian music over a period extending back to the eighteenth century. There is much to applaud in Farrell's work ... Farrell's book makes a positive contribution to the ethnomusicology of cultures in contact ... anengaging work that will be of particular interest to South Asianists and to ethnomusicologists who have a particular interest in crosscultural musical interactions.'Stephen Slawek, Yearbook for Traditional Music, 31/1999, 'a welcome addition to scholarship devoted to Indian colonial and post-colonial cultural production.' Nilanjana Bhattacharjya, Asian Music: Fall/Winter 00/01., 'a welcome addition to scholarship devoted to Indian colonial and post-colonial cultural production.' Nilanjana Bhattacharjya, Asian Music: Fall/Winter 00/01.'Farrell's ... foray into archival sources compellingly details the subtleties of power play in India's and Britain's struggle to control Indian music. It is precisely these features that will prove most interesting to those scholars outside the field of music.' Nilanjana Bhattacharjya, Asian Music: Fall/Winter 00/01.'This is a remarkably balanced, wonderfully objective book'Yehudi Menuhin, THES'Taking an historical line, Gerry Farrell has a sharp eye for the sometimes wilful, sometimes comic misuses and failures of understanding that typified the colonial experience.'Robert Maycock, BBC Music'intriguing book ... Indian Music and The West is a substantial piece of scholarly research, with some musical analysis and examples ... you're interested in the web of routes that led to these contemporary sounds, Farrell's book is an ideal place to start.'Andy Hamilton, The Wire'intriguing book ... if you're interested in the web of routes that led to these contemporary sounds, Farrell's book is an ideal place to start'Andy Hamilton, Wire'a fine work, ambitious in conception and meticulous in execution ... these case studies amount to nothing less than an astounding two-century historical overview of (what Farrell variously terms) musical orientalism, colonialism, and postmodern exoticism ... I applaud Gerry Farrell's truly visionary work. I think that his book may prove to be as important a resource for South Asian studies as has been Daniel Neuman's The Life of Music in North India(1980). While Neuman's work was the first major anthropological study of a South Asian art music tradition, Farrell has blazed a pathway equally important for our time, articulating the interweaving of the manystrands which have constructed the relationship between Indian Music and the West.'Matthew Allen, The Journal of Asian Studies'the first thoroughly researched work examining the ways the West has engaged Indian music over a period extending back to the eighteenth century. There is much to applaud in Farrell's work ... Farrell's book makes a positive contribution to the ethnomusicology of cultures in contact ... an engaging work that will be of particular interest to South Asianists and to ethnomusicologists who have a particular interest in crosscultural musical interactions.'Stephen Slawek, Yearbook for Traditional Music, 31/1999, 'Farrell's ... foray into archival sources compellingly details the subtleties of power play in India's and Britain's struggle to control Indian music. It is precisely these features that will prove most interesting to those scholars outside the field of music.' Nilanjana Bhattacharjya, Asian Music: Fall/Winter 00/01., 'Taking an historical line, Gerry Farrell has a sharp eye for the sometimes wilful, sometimes comic misuses and failures of understanding that typified the colonial experience.'Robert Maycock, BBC Music, 'intriguing book ... if you're interested in the web of routes that led to these contemporary sounds, Farrell's book is an ideal place to start'Andy Hamilton, Wire, 'intriguing book ... Indian Music and The West is a substantial piece of scholarly research, with some musical analysis and examples ... you're interested in the web of routes that led to these contemporary sounds, Farrell's book is an ideal place to start.'Andy Hamilton, The Wire, 'a fine work, ambitious in conception and meticulous in execution ... these case studies amount to nothing less than an astounding two-century historical overview of (what Farrell variously terms) musical orientalism, colonialism, and postmodern exoticism ... I applaud Gerry Farrell's trulyvisionary work. I think that his book may prove to be as important a resource for South Asian studies as has been Daniel Neuman's The Life of Music in North India (1980). While Neuman's work was the first major anthropological study of a South Asian art music tradition, Farrell has blazed a pathwayequally important for our time, articulating the interweaving of the many strands which have constructed the relationship between Indian Music and the West.'Matthew Allen, The Journal of Asian Studies
Illustrated
Yes
Dewey Decimal
780.9/54
Table Of Content
AcknowledgementsNote on TransliterationIntroduction1. 'Wild by pleasing when understood.' Europeans and Indian music in the late eighteenth century2. 'In short, almost everything Oriental appears to better advantage in European garb.' Indian music, notation, and nationalism in the nineteenth century3. 'My naive heart...' Indian music in Western popular song4. 'This talking machine is the marvel of the twentieth century.' The gramophone comes to India5. 'Pomegranates with fingerboards added.' Three journeys to the West6. 'We'll be able to get plastic sitars in our cornflakes soon.' Indian music in popular music and jazz7. 'Listen to the story of an Asian man.' World Music and South Asian music in the WestAppendix : Selected discography for chapters 6 and 7List of Sources and BibliographyIndex
Edition Description
Reprint
Synopsis
Indian Music and the West examines perceptions and representations of Indian music in the West over a period of two hundred years, ranging from orientalist studies of Indian history and culture in the eighteenth and nineteenth centuries, to the adoption of elements from Indian music in Western popular culture in the latter half of the twentieth century. Gerry Farrell charts the place of Indian music within the context of colonialism, the use of Indian imagery in Western popular songs and on the stage, and the use of the early days of the gramophone in India. Farrell also demonstrates how Indian music has been discovered and re-discovered in the West during the period discussed, and how these discoveries have reflected changing cultural, social, and political relations between India and the West., Indian Music and the West examines perceptions and representations of Indian music in the West over a period of two hundred years, ranging from orientalist studies of Indian history and culture in the eighteenth and nineteenth centuries, to the adoption of elements from Indian music in Western popular culture in the latter half of the twentieth century. Gerry Farrell charts the place of Indian music within the context of colonialism, the use of Indian imagery in Western popular songs and on the stage, and the early days of the gramophone in India. Farrell also demonstrates how Indian music has been discovered and re-discovered in the West, and how these discoveries have reflected changing cultural, social, and political relations between India and the West. This is the story of the interface between two sophisticated and complex musical systems., Since the 18th century, Western scholars and musicians have been fascinated by the music of India. Whether in the realms of musicological enquiry, or as an exotic flavour on the stage, or in popular songs, Indian music has been part of the West's consciousness for over two hundred years. Indian Music and the West traces the fascinating history of this complex cultural and musical encounter.
LC Classification Number
ML338

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