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The Flirt's Tragedy: Desire without End in Victorian and Edwardian Fiction by Ri
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Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- ISBN-13
- 9780813921006
- Book Title
- The Flirt's Tragedy
- ISBN
- 9780813921006
About this product
Product Identifiers
Publisher
University of Virginia Press
ISBN-10
0813921007
ISBN-13
9780813921006
eBay Product ID (ePID)
2207877
Product Key Features
Number of Pages
272 Pages
Publication Name
Flirt's Tragedy : Desire Without End in Victorian and Edwardian Fiction
Language
English
Subject
Subjects & Themes / Women, American / General, European / English, Irish, Scottish, Welsh
Publication Year
2002
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
21.4 Oz
Item Length
9.5 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-005899
Reviews
Amusing and absorbing. Richard Kaye's The Flirt's Tragedy brilliantly intuits new ways of reading the importance of flirtation in the history of the English novel. From Jane Austen to E. M. Forster, Kaye proposes, flirtation is not to be understood as a merely stock narrative element nor as a merely dated social convention. It is instead a significant marker of formal transformation in the development of novelistic form.
TitleLeading
The
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
823/.809355
Table Of Content
Dialectical desires: the eighteenth-century coquette and the invention of nineteenth-century fictional character -- The flirtation of species: Darwinian sexual selection and Victorian narrative -- George Eliot and Thomas Hardy: flirtation, female choice and the revision of Darwinian belief -- Deadly deferrals: Henry James, Edith Wharton, Gustave Flaubert, and the exhaustion of flirtatious desire -- ""Acceptable hints of infinity"": dissident desires and the erotics of countermodernism.
Synopsis
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert's Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt's Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin's The Descent of Man and Gilbert and Sullivan's The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt's Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel., In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert?s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt?s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin?s The Descent of Man and Gilbert and Sullivan?s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt?s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel., In this study, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the 19th century and early 20th century novel. The author examines flirtation in major English, French and American texts., In the flirtation plots of novels by Jane Austen, Charlotte Bront , and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert's Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt's Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin's The Descent of Man and Gilbert and Sullivan's The Mikado , Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt's Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
LC Classification Number
PR878.C69K39 2002
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Seller feedback (1,055,111)
- o***0 (160)- Feedback left by buyer.Past monthVerified purchaseSCAM, I searched for DVD and got a book, I threw it away, lesson learned.
- 2***5 (636)- Feedback left by buyer.Past monthVerified purchaseGood service and Good product.
- u***s (660)- Feedback left by buyer.Past monthVerified purchaseBook arrived before expected & in good condition. Thanks to this excellent vendor!