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A Comics Studies Reader Paperback
Free US Delivery | ISBN:1604731095
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ApproximatelyS$ 9.74
Condition:
“Former library book; may include library markings. Used book that is in excellent condition. May ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Reno, Nevada, United States
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eBay item number:396795513054
Item specifics
- Condition
- Very Good
- Seller Notes
- Special Attributes
- EX-LIBRARY
- Publication Name
- University Press of Mississippi
- ISBN
- 9781604731095
About this product
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1604731095
ISBN-13
9781604731095
eBay Product ID (ePID)
66611659
Product Key Features
Book Title
Comics Studies Reader
Number of Pages
380 Pages
Language
English
Topic
Popular Culture, Essays, Comics & Graphic Novels
Publication Year
2008
Illustrator
Yes
Genre
Literary Criticism, Social Science, Literary Collections
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
24.1 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2008-016893
Reviews
While such critically acclaimed graphic novels as Art Spiegelman's Maus (1986, 1991), Chris Ware's Jimmy Corrigan (2000), and Alison Bechdel's Fun Home (2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Töpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the "verbal-visual blend" of words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics 'the ninth art.' The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium., Jeet Heer and Kent Worcester have, once again, performed admirably in producing another compendious survey of comics scholarship. Their earlier effort in this vein, Arguing Comics: Literary Masters on a Popular Medium , scanned the historical landscape for essays about comics written by various literary critics and the like; their current production, A Comics Studies Reader , compiles 28 essays by contemporary scholars and critics. The result is a sort of panorama of current serious thinking about the art of cartooning in all its forms., Jeet Heer and Kent Worcester have, once again, performed admirably in producing another compendious survey of comics scholarship. Their earlier effort in this vein, Arguing Comics: Literary Masters on a Popular Medium , scanned the historical landscape for essays about comics written by various literary critics and the like; their current production, A Comics Studies Reader , compiles 28 essays by contemporary scholars and critics. The result is a sort of panorama of current serious thinking about the art of cartooning in all its forms.Robert C. Harvey, The editorial work accomplished by Heer and Worcester is simply impressive. Not only have they managed to gather material that is challenging, well-written, well-thought and that should enable a big leap forward in comics theory and criticism, but the two editors have also succeeded in giving each text the necessary space and context., "Since academics have helped legitimize comics as an art form to be taken seriously, it only makes sense that an entire book of scholarly essays put illustrated fiction under the microscope. It very well could serve as the required reading for that course I never had the opportunity to ace." --Rod Lott, Oklahoma Gazette, "While such critically acclaimed graphic novels as Art Spiegelman's Maus (1986, 1991), Chris Ware's Jimmy Corrigan (2000), and Alison Bechdel's Fun Home (2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Töpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the "verbal-visual blend" of words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics 'the ninth art.' The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium." --Gordon Flagg, Booklist, "The editorial work accomplished by Heer and Worcester is simply impressive. Not only have they managed to gather material that is challenging, well-written, well-thought and that should enable a big leap forward in comics theory and criticism, but the two editors have also succeeded in giving each text the necessary space and context." --Jan Baetens, Image & Narrative, "Jeet Heer and Kent Worcester have, once again, performed admirably in producing another compendious survey of comics scholarship. Their earlier effort in this vein, Arguing Comics: Literary Masters on a Popular Medium , scanned the historical landscape for essays about comics written by various literary critics and the like; their current production, A Comics Studies Reader , compiles 28 essays by contemporary scholars and critics. The result is a sort of panorama of current serious thinking about the art of cartooning in all its forms." --Robert C. Harvey, Since academics have helped legitimize comics as an art form to be taken seriously, it only makes sense that an entire book of scholarly essays put illustrated fiction under the microscope. It very well could serve as the required reading for that course I never had the opportunity to ace., "While such critically acclaimed graphic novels as Art Spiegelman's Maus (1986, 1991), Chris Ware's Jimmy Corrigan (2000), and Alison Bechdel's Fun Home (2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Tpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the "verbal-visual blend" of words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics 'the ninth art.' The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium." --Gordon Flagg, Booklist, Since academics have helped legitimize comics as an art form to be taken seriously, it only makes sense that an entire book of scholarly essays put illustrated fiction under the microscope. It very well could serve as the required reading for that course I never had the opportunity to ace.Rod Lott, Oklahoma Gazette, The editorial work accomplished by Heer and Worcester is simply impressive. Not only have they managed to gather material that is challenging, well-written, well-thought and that should enable a big leap forward in comics theory and criticism, but the two editors have also succeeded in giving each text the necessary space and context.Jan Baetens, Image & Narrative, While such critically acclaimed graphic novels as Art Spiegelmans Maus (1986, 1991), Chris Wares Jimmy Corrigan (2000), and Alison Bechdels Fun Home (2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Tpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the verbal-visual blendof words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics the ninth art.The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium.Gordon Flagg, Booklist
TitleLeading
A
Dewey Edition
22
Dewey Decimal
741.5/69
Synopsis
Contributions by Thomas Andrae, Martin Barker, Bart Beaty, John Benson, David Carrier, Hillary Chute, Peter Coogan, Annalisa Di Liddo, Ariel Dorfman, Thierry Groensteen, Robert C. Harvey, Charles Hatfield, M. Thomas Inge, Gene Kannenberg Jr., David Kasakove, Adam L. Kern, David Kunzle, Pascal Lefèvre, John A. Lent, W. J. T. Mitchell, Amy Kiste Nyberg, Fusami Ogi, Robert S. Petersen, Anne Rubenstein, Roger Sabin, Gilbert Seldes, Art Spiegelman, Fredric Wertham, and Joseph Witek A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts , romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use., A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe T pffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use., A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use.
LC Classification Number
PN6710.C667 2009
Item description from the seller
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- u***e (12)- Feedback left by buyer.Past monthVerified purchaseThe product description was accurate and was shipped promptly. The book was sent in a paper-based mailer, which arrived slightly torn at one corner of the book, but no harm to the book was done, and the product arrived in great condition. I would definitely purchase from this seller again!
- 4***r (4430)- Feedback left by buyer.Past monthVerified purchaseFast, easy deal to do!
- l***z (617)- Feedback left by buyer.Past monthVerified purchaseAs advertised. Very good mail response.
Seller feedback (432,566)
- u***e (12)- Feedback left by buyer.Past monthVerified purchaseThe product description was accurate and was shipped promptly. The book was sent in a paper-based mailer, which arrived slightly torn at one corner of the book, but no harm to the book was done, and the product arrived in great condition. I would definitely purchase from this seller again!
- 4***r (4430)- Feedback left by buyer.Past monthVerified purchaseFast, easy deal to do!
- l***z (617)- Feedback left by buyer.Past monthVerified purchaseAs advertised. Very good mail response.