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Esprit de Corps by Kenneth E. Silver SC 1989
US $15.00
ApproximatelyS$ 19.32
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Pickup:
Free local pickup from Woburn, Massachusetts, United States.
Shipping:
US $4.40 (approx S$ 5.67) USPS Media MailTM.
Located in: Woburn, Massachusetts, United States
Delivery:
Estimated between Tue, 9 Sep and Mon, 15 Sep to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:395250809843
Item specifics
- Condition
- ISBN
- 9780691002927
About this product
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691002924
ISBN-13
9780691002927
eBay Product ID (ePID)
212392
Product Key Features
Number of Pages
528 Pages
Language
English
Publication Name
Esprit De Corps : the Art of the Parisian Avantgarde and the First World War, 1914-1925
Publication Year
1992
Subject
Europe / France, General, Aesthetics, Europe / General, History / General
Type
Textbook
Subject Area
Art, Philosophy, History
Format
Trade Paperback
Dimensions
Item Weight
47.1 Oz
Item Length
10.8 in
Item Width
5.9 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
709/.44/361
Synopsis
In analyzing the changes in modern art between the outbreak of World War I and the Paris Exposition des Arts Dcoratifs of 1925, Kenneth Silver shows that the Parisian avant-garde was deeply involved in French society and its dominant values and relationships. He radically reinterprets masterpieces of modern art, from Matisse and Picasso to Lger and Le Corbusier, demonstrating how their creators all refer, consciously or not, to the Great War and its aftermath. "It's impossible to suppose that anybody will ever study the French art of this period without acknowledging dependence on Silver's huge book. In it a genuine historical crisis is studied by minute application to works of art and artistic controversies. It sets high standards."--Frank Kermode, The London Review of Books "One of the outstanding books of the past decade and an indispensable addition to the history of twentieth-century art."--Holland Cotter, Art in America "Ranks among the small number of works necessary to the understanding of art of this century."--Philippe Dagen, Le Monde, In analyzing the changes in modern art between the outbreak of World War I and the Paris Exposition des Arts Dcoratifs of 1925, Kenneth Silver shows that the Parisian avant-garde was deeply involved in French society and its dominant values and relationships. He radically reinterprets masterpieces of modern art, from Matisse and Picasso to Lger and Le Corbusier, demonstrating how their creators all refer, consciously or not, to the Great War and its aftermath. It's impossible to suppose that anybody will ever study the French art of this period without acknowledging dependence on Silver's huge book. In it a genuine historical crisis is studied by minute application to works of art and artistic controversies. It sets high standards.--Frank Kermode, The London Review of Books One of the outstanding books of the past decade and an indispensable addition to the history of twentieth-century art.--Holland Cotter, Art in America Ranks among the small number of works necessary to the understanding of art of this century.--Philippe Dagen, Le Monde
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