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Bartok Perspectives: Man, Composer, and Ethnomusicolog
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eBay item number:395224494576
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- ISBN-13
- 9780195125627
- Book Title
- Bartok Perspectives: Man, Composer, and Ethnomusicologist
- ISBN
- 9780195125627
- Item Length
- 9.3in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2000
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1in
- Genre
- Music
- Topic
- History & Criticism, Genres & Styles / Classical
- Item Width
- 6.1in
- Item Weight
- 24.9 Oz
- Number of Pages
- 336 Pages
About this product
Product Information
This compilation of essays spans a wide range of individual perspectives and disciplines while providing a coherent analysis of this seminal composer's life and work. The book includes integrative theoretic-analytical approaches to Bartók's musical language that demonstrate relations between the modalities and rhythms of folk music and Bartók's more abstract musical principles. Some of the essays explore Bartók's folk-music materials in connection with his fieldwork, transcription techniques, classification methodology, and compositional influences. Others examine his system of composition from its early stages to maturity. Each of the nineteen essays is self-contained, and many look at the broad historical, philosophical, and cultural questions intimately linked to Bartók's work.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195125622
ISBN-13
9780195125627
eBay Product ID (ePID)
1618059
Product Key Features
Format
Hardcover
Language
English
Topic
History & Criticism, Genres & Styles / Classical
Publication Year
2000
Type
Textbook
Genre
Music
Number of Pages
336 Pages
Dimensions
Item Length
9.3in
Item Height
1.1in
Item Width
6.1in
Item Weight
24.9 Oz
Additional Product Features
Lc Classification Number
Ml410.B26b284 2000
Reviews
1. Elliott Antokoletz: Perspectives in Bartok Research Part I. Career and Work as Folklorist 2. Benjamin Suchoff: Bartok's Odyssey in Slovak Folk Music 3. Stephen Erdely: Bartok on Southslavic Epic Songs Part II. Analytical and Theoretical Studies 4. Malcolm Gillies: Analyzing Bartok's Works of 1918-1922: Motives, Tone Patches, and Tonal Mosaics 5. Elliott Antokoletz: Modal Transformation and Musical Symbolism in Bartok's Cantata Profana 6. Elliott Antokoletz: Organic Expression and Classical Structure in Bartok's Sonata for Two Pianos and Percussion 7. John K. Novak: The Benefits of "Relaxation": The Role of the "Piheno" Movement in Bela Bartok's Contrasts Part III. Sytle and Aesthetics 8. Benjamin Suchoff: The Genesis of Bartok's Musical Language 9. Dorothy Lamb Crawford: Love and Anguish: Bartok's Expressionism 10. Judit Frigyesi: The Verbunkos and Bartok's Modern Style: The Case of Duke Bluebeard's Castle 11. James Porter: Bartok's Concerto for Orchestra (1943) and Janacek's Sinfonietta (1926): Conceptual and Motivic Parallels Part IV. Folk Music Influences 12. Janos Karpati: Bartok in North Africa: A Unique Fieldwork and Its Impact on His Music 13. David Yeomans: Background and Analysis of Bartok's Romanian Christmas Carols for Piano (1915) 14. Timothy Rice: Bela Bartok and Bulgarian Rhythm Part V. Compositional Process 15. Laszlo Somfai: Bartok's Notations in Composition and Transcription 16. Carl S. Leafstedt: Pelleas Revealed: The Original Ending of Bartok's Opera, Duke Bluebeard's Castle 17. Peter Bartok: Correcting Printed Editions of Bela Bartok's Viola Concerto and Other Compositions 18. Nelson Dellamaggiore: Deciphering Bela Bartok's Viola Concerto Sketch Part VI. Orientation Toward Pedagogy 19. Victoria Fischer: Bartok's Fourteen Bagatelles op. 6, for Piano: Toward Performance Authenticity Part VII. Reception History 20. Malcolm Gillies: The Canonization of Bela Bartok Chronological List of Cited Bartok Compositions, Given the highly technical nature of many chapters, it is difficult to imagine writing of greater clarity
Publication Name
Bartók Perspectives : Man, Composer, and Ethnomusicologist
Table of Content
1. Perspectives in Bartók Research, Elliott AntokoletzPart I. Career and Work as Folklorist2. Bartók's Odyssey in Slovak Folk Music, Benjamin Suchoff3. Bartók on Southslavic Epic Songs, Stephen ErdelyPart II. Analytical and Theoretical Studies4. Analyzing Bartók's Works of 1918-1922: Motives, Tone Patches, and Tonal Mosaics, Malcolm Gillies5. Modal Transformation and Musical Symbolism in Bartók's Cantata Profana, Elliott Antokoletz6. Organic Expression and Classical Structure in Bartók's Sonata for Two Pianos and Percussion, Elliott Antokoletz7. The Benefits of "Relaxation": The Role of the "Pihenö" Movement in Béla Bartók's Contrasts, John K. NovakPart III. Sytle and Aesthetics8. The Genesis of Bartók's Musical Language, Benjamin Suchoff9. Love and Anguish: Bartók's Expressionism, Dorothy Lamb Crawford10. The Verbunkos and Bartók's Modern Style: The Case of Duke Bluebeard's Castle, Judit Frigyesi11. Bartók's Concerto for Orchestra (1943) and Janácek's Sinfonietta (1926): Conceptual and Motivic Parallels, James PorterPart IV. Folk Music Influences12. Bartók in North Africa: A Unique Fieldwork and Its Impact on His Music, János Kárpáti13. Background and Analysis of Bartók's Romanian Christmas Carols for Piano (1915), David Yeomans14. Béla Bartók and Bulgarian Rhythm, Timothy RicePart V. Compositional Process15. Bartók's Notations in Composition and Transcription, László Somfai16. Pelléas Revealed: The Original Ending of Bartók's Opera, Duke Bluebeard's Castle, Carl S. Leafstedt17. Correcting Printed Editions of Béla Bartók's Viola Concerto and Other Compositions, Peter Bartók18. Deciphering Béla Bartók's Viola Concerto Sketch, Nelson DellamaggiorePart VI. Orientation Toward Pedagogy19. Bartók's Fourteen Bagatelles op. 6, for Piano: Toward Performance Authenticity, Victoria FischerPart VII. Reception History20. The Canonization of Béla Bartók, Malcolm GilliesChronological List of Cited Bartók Compositions
Copyright Date
2000
Lccn
99-022696
Dewey Decimal
780/.92
Intended Audience
College Audience
Dewey Edition
21
Illustrated
Yes
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