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Anna Dezeuze The 'Do-It-Yoursel f' Artwork (Hardback) (UK IMPORT)
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eBay item number:395129907240
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- 'do-It-Yourself' Artwork : Participation from Fluxus to New Media
- Publication Name
- The 'Do-It-Yourself' Artwork
- Title
- The 'Do-It-Yourself' Artwork
- EAN
- 9780719081446
- ISBN
- 9780719081446
- Publisher
- Manchester University Press
- Format
- Hardcover
- Release Year
- 2010
- Release Date
- 13/04/2010
- Item Height
- 0.8 in
- Item Length
- 9.2 in
- Contributor
- Anna Dezeuze (Edited by)
- Language
- English
- Subtitle
- Participation from Fluxus to New Media
- ISBN-10
- 0719081440
- Country/Region of Manufacture
- GB
- Genre
- Art
- Series
- Rethinking Art's Histories
- Item Width
- 6.1 in
- Book Series
- Rethinking Art's Histories Ser.
- Publication Year
- 2010
- Illustrator
- Yes
- Topic
- History / Contemporary (1945-), Criticism & Theory, Performance, History / General
- Item Weight
- 29.1 Oz
- Number of Pages
- 328 Pages
About this product
Product Identifiers
Publisher
Manchester University Press
ISBN-10
0719081440
ISBN-13
9780719081446
eBay Product ID (ePID)
78651511
Product Key Features
Book Title
'do-It-Yourself' Artwork : Participation from Fluxus to New Media
Number of Pages
328 Pages
Language
English
Publication Year
2010
Topic
History / Contemporary (1945-), Criticism & Theory, Performance, History / General
Illustrator
Yes
Genre
Art
Book Series
Rethinking Art's Histories Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
29.1 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2010-282561
Dewey Edition
22
Dewey Decimal
702.8/1
Table Of Content
Anna Dezeuze: What the do-it-yourself artwork can do for you PART I: PARTICIPATION IN CONTEXT Anna Dezeuze: "Open work," "do-it-yourself artwork," and bricolage Judith Rodenbeck: "creative acts of consumption" or, death in Venice Arnauld Pierre: Instability: the visual/bodily perception of space in kinetic environments Guy Brett: 3 Pioneers PART II: PERFORMING PARTICIPATION Catherine Wood: The rules of engagement: Displaced figuration in Robert Morris's sculpture Frazer Ward: Marina Abramovic: Approaching zero Amelia Jones: Space, body and the self in the work of Bruce Nauman Janet Kraynak: Tiravanija's liability Jennifer Gonzalez: the face and the public: Race, secrecy and digital art practice PART III: ANALYSING PARTICIPATION Anna Dezeuze: Play, ritual and politics: Transitional artworks in the 1960s Christian Kravagna: Working on the community: Models of participatory practice Miwon Kwon: Exchange and reciprocity in some art of the 1960s and after Claire Bishop: Antagonism and Relational Aesthetics Beryl Graham: What kind of participative system? Critical vocabularies from new media art Index
Synopsis
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts., Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.'Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts. -- ., What happens when you touch or enter an artwork instead of looking at it? As artists since the 1950s have increasingly sought to involve viewers more actively in their artworks, this critical anthology sheds light on the nature of these new forms of participation and their historical, social and political significance. -- .
LC Classification Number
N6494.I57
ebay_catalog_id
4
Copyright Date
2010
Item description from the seller
Business seller information
Value Added Tax Number:
- GB 864 1548 11
Seller assumes all responsibility for this listing.
eBay item number:395129907240
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GU14 0GT, United Kingdom
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Great item fits together well
n***s (5)- Feedback left by buyer.
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Great item fits together well
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Received a brand new dvd as expecting thank you