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Gender, Nationalism, and War: Conflict on the Movie Screen by Matthew Evangelist

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN-13
9780521173544
Book Title
Gender, Nationalism, and War
ISBN
9780521173544
Publication Year
2011
Type
Textbook
Format
Trade Paperback
Language
English
Publication Name
Gender, Nationalism, and War : Conflict on the Movie Screen
Item Height
0.6in
Author
Matthew Evangelista
Item Length
8.9in
Publisher
Cambridge University Press
Item Width
6in
Item Weight
17.6 Oz
Number of Pages
304 Pages

About this product

Product Information

Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynist violence that often accompanies nationalist wars.

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
052117354x
ISBN-13
9780521173544
eBay Product ID (ePID)
4038634302

Product Key Features

Author
Matthew Evangelista
Publication Name
Gender, Nationalism, and War : Conflict on the Movie Screen
Format
Trade Paperback
Language
English
Publication Year
2011
Type
Textbook
Number of Pages
304 Pages

Dimensions

Item Length
8.9in
Item Height
0.6in
Item Width
6in
Item Weight
17.6 Oz

Additional Product Features

Lc Classification Number
Pn1995.9.W3
Reviews
'A genuinely innovative contribution to the currently intense discussion about the gendered militarization of nationalism. Matthew Evangelista reveals how even serious international filmmakers often unwittingly reinforce wartime patriarchal norms while breaking cinematic conventions.' Cynthia Enloe, Clark University and author of Nimo's War, Emma's War: Making Feminist Sense of the Iraq War (2010), Advance praise: 'A genuinely innovative contribution to the currently intense discussion about the gendered militarization of nationalism. Matthew Evangelista reveals how even serious international filmmakers often unwittingly reinforce wartime patriarchal norms while breaking cinematic conventions.' Cynthia Enloe, Clark University and author of Nimo's War, Emma's War: Making Feminist Sense of the Iraq War (2010), "Matthew Evangelista has written an extraordinary book that transcends disciplinary boundaries to explore and explain the role of gender in nationalist violence. His approach is a challenge to normal political science and demonstrates what can be learned when imagination is applied to unconventional sources like movies. Taking emblematic films that depict the anti-colonial, civil, and ethnic wars in Algeria, Yugoslavia, Chechnya, and Quebec, Evangelista relates violence to threats to masculinity, the inequalities experienced by women, and the ambitions of nationalists. As horrific as the events depicted are, the author does not despair but indicates possible ways to avoid such sanguinary occasions in the future." - Ronald Grigor Suny, Charles Tilly Collegiate Professor of Social and Political History and Director of the Eisenberg Institute for Historical Studies, The University of Michigan, 'Matthew Evangelista has written an extraordinary book that transcends disciplinary boundaries to explore and explain the role of gender in nationalist violence. His approach is a challenge to normal political science and demonstrates what can be learned when imagination is applied to unconventional sources like movies. Taking emblematic films that depict the anti-colonial, civil, and ethnic wars in Algeria, Yugoslavia, Chechnya, and Quebec, Evangelista relates violence to threats to masculinity, the inequalities experienced by women, and the ambitions of nationalists. As horrific as the events depicted are, the author does not despair but indicates possible ways to avoid such sanguinary occasions in the future.' Ronald Grigor Suny, Charles Tilly Collegiate Professor of Social and Political History and Director of the Eisenberg Institute for Historical Studies, The University of Michigan, Advance praise: 'Matthew Evangelista has written an extraordinary book that transcends disciplinary boundaries to explore and explain the role of gender in nationalist violence. His approach is a challenge to normal political science and demonstrates what can be learned when imagination is applied to unconventional sources like movies. Taking emblematic films that depict the anti-colonial, civil, and ethnic wars in Algeria, Yugoslavia, Chechnya, and Quebec, Evangelista relates violence to threats to masculinity, the inequalities experienced by women, and the ambitions of nationalists. As horrific as the events depicted are, the author does not despair but indicates possible ways to avoid such sanguinary occasions in the future.' Ronald Grigor Suny, Charles Tilly Collegiate Professor of Social and Political History and Director of the Eisenberg Institute for Historical Studies, The University of Michigan, "A genuinely innovative contribution to the currently intense discussion about the gendered militarization of nationalism. Matthew Evangelista reveals how even serious international filmmakers often unwittingly reinforce wartime patriarchal norms while breaking cinematic conventions." - Cynthia Enloe, Clark University and author of Nimo's War, Emma's War: Making Feminist Sense of the Iraq War (2010)
Table of Content
1. Virginia Woolf's purse; 2. Algeria: a world constructed out of ruins; 3. Yugoslavia: archetype or anomaly?; 4. Chechnya: virgins, mothers, and terrorists; 5. Québec: oui, no, or femme; 6. 'To live to see better times': gender, nationalism, sovereignty, equality.
Copyright Date
2011
Target Audience
Scholarly & Professional
Topic
Film / Genres / Action & Adventure, Comparative Politics, Film / History & Criticism
Lccn
2010-051876
Dewey Decimal
791.42/6581
Dewey Edition
22
Illustrated
Yes
Genre
Performing Arts, Political Science

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