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Time and Narrative, Volume 3 by Paul Ricoeur (1990, Trade Paperback)
US $34.99
ApproximatelyS$ 45.20
Condition:
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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US $5.97 (approx S$ 7.71) USPS Media MailTM.
Located in: Pisgah Forest, North Carolina, United States
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eBay item number:388996818822
Item specifics
- Condition
- ISBN
- 9780226713366
About this product
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226713369
ISBN-13
9780226713366
eBay Product ID (ePID)
102009
Product Key Features
Book Title
Time and Narrative, Volume 3
Number of Pages
362 Pages
Language
English
Topic
General, History & Surveys / Modern
Publication Year
1990
Features
Reprint
Genre
Philosophy, History
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
18.1 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Trade
LCCN
83-017995
Dewey Edition
21
Volume Number
Vol. 3
Dewey Decimal
809.9/23
Edition Description
Reprint
Table Of Content
Part IV: Narrated Time Introduction Section 1: The Aporetics of Temporality 1. The Time of the Soul and the Time of the World: The Dispute between Augustine and Aristotle 2. Intuitive Time or Invisible Time? Husserl Confronts Kant 3. Temporality, Historicality, Within-Time-Ness: Heidegger and the "Ordinary" Concept of Time Section 2: Poetics of Narrative: History, Fiction, Time 4. Between Lived Time and Universal Time: Historical Time 5. Fiction and Its Imaginative Variations on Time 6. The Reality of the Past 7. The World of the Text and the World of the Reader 8. The Interweaving of History and Fiction 9. Should We Renounce Hegel? 10. Towards a Hermeneutics of Historical Consciousness Notes Bibliography Index
Synopsis
In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction, and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy. Ricoeur's aim here is to explicate as fully as possible the hypothesis that has governed his inquiry, namely, that the effort of thinking at work in every narrative configuration is completed in a refiguration of temporal experience. To this end, he sets himself the central task of determing how far a poetics of narrative can be said to resolve the "aporias"-the doubtful or problematic elements-of time. Chief among these aporias are the conflicts between the phenomenological sense of time (that experienced or lived by the individual) and the cosmological sense (that described by history and physics) on the one hand and the oneness or unitary nature of time on the other. In conclusion, Ricoeur reflects upon the inscrutability of time itself and attempts to discern the limits of his own examination of narrative discourse. "As in his previous works, Ricoeur labors as an imcomparable mediator of often estranged philosophical approaches, always in a manner that compromises neither rigor nor creativity."-Mark Kline Taylor, Christian Century "In the midst of two opposing contemporary options-either to flee into ever more precious readings . . . or to retreat into ever more safe readings . . . -Ricoeur's work offers an alternative option that is critical, wide-ranging, and conducive to new applications."-Mary Gerhart, Journal of Religion, In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction, and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy. Ricoeur's aim here is to explicate as fully as possible the hypothesis that has governed his inquiry, namely, that the effort of thinking at work in every narrative configuration is completed in a refiguration of temporal experience. To this end, he sets himself the central task of determing how far a poetics of narrative can be said to resolve the "aporias"--the doubtful or problematic elements--of time. Chief among these aporias are the conflicts between the phenomenological sense of time (that experienced or lived by the individual) and the cosmological sense (that described by history and physics) on the one hand and the oneness or unitary nature of time on the other. In conclusion, Ricoeur reflects upon the inscrutability of time itself and attempts to discern the limits of his own examination of narrative discourse. "As in his previous works, Ricoeur labors as an imcomparable mediator of often estranged philosophical approaches, always in a manner that compromises neither rigor nor creativity."--Mark Kline Taylor, Christian Century "In the midst of two opposing contemporary options--either to flee into ever more precious readings . . . or to retreat into ever more safe readings . . . --Ricoeur's work offers an alternative option that is critical, wide-ranging, and conducive to new applications."--Mary Gerhart, Journal of Religion
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