Modernism and Naturalism in British and Irish Fiction, 18801930 by Simon Joyce (

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN-13
9781107083882
Book Title
Modernism and Naturalism in British and Irish Fiction, 18801930
ISBN
9781107083882
Category

About this product

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
1107083885
ISBN-13
9781107083882
eBay Product ID (ePID)
201711353

Product Key Features

Number of Pages
250 Pages
Language
English
Publication Name
Modernism and Naturalism in British and Irish Fiction, 1880-1930
Publication Year
2014
Subject
Semiotics & Theory, European / English, Irish, Scottish, Welsh, Subjects & Themes / General
Type
Textbook
Author
Simon Joyce
Subject Area
Literary Criticism
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
16.2 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2014-034066
Dewey Edition
23
Dewey Decimal
823/.9109112
Table Of Content
1. How Zola crossed (and didn't cross) the English Channel; 2. Portraits and artists: impressionism and naturalism; 3. A naturalism for Ireland; 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel; 5. The voice of witlessness: Virginia Woolf and the poor.
Synopsis
In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and 'New Woman' novelists such as George Moore, Sarah Grand, and George Egerton., This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf, but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton., This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of mile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton.
LC Classification Number
PR888.M63 J69 2015

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