The Kinetoscope: A British History (Paperback or Softback)

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eBay item number:388766577894
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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
EAN
9780861967308
ISBN
0861967305
Manufacturer
John Libbey & Company
Brand
John Libbey & Company
Binding
TP
Category

About this product

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0861967305
ISBN-13
9780861967308
eBay Product ID (ePID)
234949437

Product Key Features

Book Title
Kinetoscope : a British History
Number of Pages
180 Pages
Language
English
Publication Year
2017
Topic
Film / General, Life Sciences / Cell Biology, Film / History & Criticism, Film & Video
Illustrator
Yes
Genre
Art, Performing Arts, Science
Type
Textbook
Author
Barry Anthony, Richard Brown
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
17.8 Oz
Item Length
8.9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-476638
TitleLeading
The
Dewey Edition
23
Grade From
College Graduate Student
Dewey Decimal
777/.3
Synopsis
The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope's development in Britain has not been well documented and much current information about it is incomplete and out of date. The purpose of the book is, for the first time, to present a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, utilizing many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device's place in the wider world of Victorian popular entertainment examined. A unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed., The 100th anniversary of cinema was marked throughout the world in 1995/6. Amongst the widespread celebrations it was largely overlooked that genuine motion pictures had been commercially shown 101 years earlier, and that the origins of the film industry lay in a peepshow device rather than the more familiar movie projector. Introduced in New York in April 1894 and in Paris and London later in the same year, Thomas Edison's electrically-driven Kinetoscope was the first practical method of film exhibition. Around a thousand of these state-of-the art machines were manufactured, featuring the first brief fiction films and the earliest newsreels. Techniques such as the close-up and stop-editing were introduced and the 35mm film employed became a universal standard. Edison was able to influence the development of the device in the United States, but he soon lost control of the British and European markets. Spearheaded by two entrepreneurial Greek merchants, George Georgiades and George Tragides, a large and often colorful group of showmen began to exploit the new invention. With Edison neglecting to obtain European patents, his agents fought a losing battle to stem an influx of 'bogus' Kinetoscopes onto the market. Leading the construction of replica Kinetoscopes was a young and ambitious electrical engineer who was to become central to the development of world cinema. In his business arrangements with the Greeks Robert William Paul operated close to the limits of legality, a risk-taking attitude that also led him to enter into a partnership with the notorious fraudster and self-publicist 'Viscount' Hinton. The rush to exploit the Kinetoscope faltered when Edison refused to supply films for pirate machines, but regained momentum when Paul and the American Birt Acres constructed their own camera, shooting the first British movies in March/April 1895. The turbulent and often unlikely events of 1894-5 were a crucial prelude to the birth of British cinema. The position of the Kinetoscope in film history is central and undisputed. An indication of its importance is provided by the detailed attention American scholars have given to examining its history. However, the Kinetoscope's development in Britain has not been well documented and much current information about it is incomplete and out of date. The purpose of the book is, for the first time, to present a comprehensive account, utilizing many previously unpublished sources. The commercial and technical backgrounds of the Kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device's place in the wider world of Victorian popular entertainment examined. A unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed. Each of the three authors are recognized specialists in their chosen area of early British film history, and two of them have collaborated previously in a book-length study of a Victorian film company., A unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.
LC Classification Number
TR885

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