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Hong Kong Connections : Transnational Imagination in Action Cinema, Hardcover...
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eBay item number:386833789752
Item specifics
- Condition
- ISBN
- 9781932643190
- Book Title
- Hong Kong Connections : Transnational Imagination in Action Cinema
- Item Length
- 9.8in
- Publisher
- Duke University Press
- Publication Year
- 2006
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6in
- Genre
- Travel, Performing Arts
- Topic
- Essays & Travelogues, Film / History & Criticism
- Item Width
- 5.9in
- Item Weight
- 12.3 Oz
- Number of Pages
- 360 Pages
About this product
Product Information
Leading film scholars explore the circulation of Hong Kong action cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland
Product Identifiers
Publisher
Duke University Press
ISBN-10
1932643192
ISBN-13
9781932643190
eBay Product ID (ePID)
48233805
Product Key Features
Book Title
Hong Kong Connections : Transnational Imagination in Action Cinema
Format
Hardcover
Language
English
Topic
Essays & Travelogues, Film / History & Criticism
Publication Year
2006
Genre
Travel, Performing Arts
Number of Pages
360 Pages
Dimensions
Item Length
9.8in
Item Height
0.6in
Item Width
5.9in
Item Weight
12.3 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.A3h66 2005
Edition Description
Annotated Edition
Reviews
"This book examines the historical evolution of Hong Kong action cinema as well as its emergence as a transnational film genre in the era of globalization. It is the most well-organized, theoretically sophisticated, and critically engaging study of the subject that we have seen. It is a pleasure to read each of the essays, which are both erudite and interesting."-Sheldon Lu, coeditor of Chinese-language Film: Historiography, Poetics, Politics, "This book examines the historical evolution of Hong Kong action cinema as well as its emergence as a transnational film genre in the era of globalization. It is the most well-organized, theoretically sophisticated, and critically engaging study of the subject that we have seen. It is a pleasure to read each of the essays, which are both erudite and interesting."--Sheldon Lu, coeditor of Chinese-language Film: Historiography, Poetics, Politics, "As electrifying as the action cinema it illuminates, Hong Kong Connections delivers an elegantly choreographed and deadly volley of blows against the myth that global popular cinema begins and ends with Hollywood. These essays by a glittering array of leading scholars from around the world reveal Hong Kong cinema's role in shaping other action cinemas, pioneering transnational filmmaking, and invigorating Chinese cultures. In the process, Hong Kong's cinema becomes as firmly established as a global meeting as Hong Kong itself."-Chris Berry, coeditor of Mobile Cultures: New Media in Queer Asia, "[I]nsightful and well written. . . . [T]he best essays offer unique insights. . . . The volume is remarkable not only for its excellent analysis and theorizing of Hong Kong cinema, but also as a model of how to understand global cinema from local and intercultural contexts that do not exclude or disavow the influence of Hollywood yet are not centered by it. Fans will enjoy this book, but scholars will value it even more. Essential." --K. J. Wetmore, Jr., "Choice", “This book examines the historical evolution of Hong Kong action cinema as well as its emergence as a transnational film genre in the era of globalization. It is the most well-organized, theoretically sophisticated, and critically engaging study of the subject that we have seen. It is a pleasure to read each of the essays, which are both erudite and interesting.�-Sheldon Lu, coeditor of Chinese-language Film: Historiography, Poetics, Politics, "As electrifying as the action cinema it illuminates, Hong Kong Connections delivers an elegantly choreographed and deadly volley of blows against the myth that global popular cinema begins and ends with Hollywood. These essays by a glittering array of leading scholars from around the world reveal Hong Kong cinema's role in shaping other action cinemas, pioneering transnational filmmaking, and invigorating Chinese cultures. In the process, Hong Kong's cinema becomes as firmly established as a global meeting as Hong Kong itself."--Chris Berry, coeditor of Mobile Cultures: New Media in Queer Asia, "This book examines the historical evolution of Hong Kong action cinema as well as its emergence as a transnational film genre in the era of globalization. It is the most well-organized, theoretically sophisticated, and critically engaging study of the subject that we have seen. It is a pleasure to read each of the essays, which are both erudite and interesting." Sheldon Lu, coeditor of Chinese-language Film: Historiography, Poetics, Politics, “As electrifying as the action cinema it illuminates, Hong Kong Connections delivers an elegantly choreographed and deadly volley of blows against the myth that global popular cinema begins and ends with Hollywood. These essays by a glittering array of leading scholars from around the world reveal Hong Kong cinema’s role in shaping other action cinemas, pioneering transnational filmmaking, and invigorating Chinese cultures. In the process, Hong Kong’s cinema becomes as firmly established as a global meeting as Hong Kong itself.�-Chris Berry, coeditor of Mobile Cultures: New Media in Queer Asia, "[T]his volume of essays offers something for everyone: from the fanboy to the scholar and even to those who have ever swooned while watching Chow Yun-Fat or Michelle Yeo kick some butt." --Raquel Laneri, "PopMatters"
Table of Content
Acknowledgments ix Contributors xi Introduction: Hong Kong Connections / Meaghan Morris 1 Part 1: History, Imagination and Hong Kong Popular Culture 19 1. Moving Body: The Interactions Between Chinese Opera and Action Cinema / Yung Sai-shing 21 2. Interactions Between Japanese and Hong Kong Action Cinemas / Kinnia Yau Shuk-ting 35 3. The Myth Continues: Cinematic Kung Fu in Modernity / Siu Leung Li 49 4. The Fighting Condition in Hong Kong Cinema: Local Icons and Cultural Antidotes for the Global Popular / Stephen Chan Ching-kiu 63 5. Order/Anti-Order: Representation of Identity in Hong Kong Action Movies / Dai Jinhua 81 Part 2: Action Cinema as Contact Zone 95 6. Genre as Contact Zone: Hong Kong Action and Korean Hwalkuk / Kim Soyoung 97 7. Hong Kong Action Film and the Career of the Telugu Mass Hero / S. V. Srinivas 111 8. Hong Kong-Hollywood-Bombay: On the Function of "Martial Art" in the Hindi Action Cinema / Valentina Vitali 125 9. Let's Miscegenate: Jackie Chan and His African-American Connection / Laleen Jayamanne 151 10. The Secrets of Movement: The Influence of Hong Kong Action Cinema upon the Contemporary French Avant-garde / Nicole Brenez 163 11. At the Edge of the Cut: An Encounter with the Hong Kong Style in Contemporary Action Cinema / Adrian Martin 175 Part 3: Translation and Embodiment: Technologies of Globalisation 189 12. Wuxia Redux: Crouching Tiger, Hidden Dragon as a Model of Late Transnational Production / Stephen Teo 191 13. Hong Kong Film and the New Cinephilia / David Desser 205 14. Action Cinema, Labour Power and the Video Market / Paul Willemen 223 15. Spectral Critiques: Tracking "Uncanny" Filmic Paths Towards a Bio-Poetics of Trans-Pacific Globalization / Rob Wilson 249 16. Technoscience Culture, Embodiment and Wuda pian / Wong Kin-yuen 269 Notes 287 Index 327
Copyright Date
2005
Lccn
2005-023603
Dewey Decimal
791.43/655/095125
Intended Audience
Trade
Dewey Edition
22
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