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Barbara Earl Thomas : The Geography of Innocence, Paperback by Manchanda, Cat...

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eBay item number:386115900150
Last updated on Feb 28, 2024 15:46:58 SGTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN
9780932216786
Subject Area
Art, Social Science
Publication Name
Barbara Earl Thomas : the Geography of Innocence
Publisher
Seattle Art Museum
Item Length
10 in
Subject
American / African American, Ethnic Studies / African American Studies
Publication Year
2021
Type
Textbook
Format
Trade Paperback
Language
English
Author
Barbara Earl Thomas, Halima Taha, Catharina Manchanda
Item Weight
14.4 Oz
Item Width
8.5 in
Number of Pages
80 Pages

About this product

Product Identifiers

Publisher
Seattle Art Museum
ISBN-10
0932216781
ISBN-13
9780932216786
eBay Product ID (ePID)
12050076666

Product Key Features

Number of Pages
80 Pages
Language
English
Publication Name
Barbara Earl Thomas : the Geography of Innocence
Subject
American / African American, Ethnic Studies / African American Studies
Publication Year
2021
Type
Textbook
Author
Barbara Earl Thomas, Halima Taha, Catharina Manchanda
Subject Area
Art, Social Science
Format
Trade Paperback

Dimensions

Item Weight
14.4 Oz
Item Length
10 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Grade From
College Graduate Student
Illustrated
Yes
Synopsis
Barbara Earl Thomas's new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience--a child's survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist's extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book's essays examine Thomas's work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists., A revered Seattle-based artist calls for hope, faith, and truth Barbara Earl Thomas's new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience--a child's survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist's extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book's essays examine Thomas's work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists., A revered Seattle-based artist calls for hope, faith, and truth Barbara Earl Thomas?s new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience?a child?s survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist?s extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book?s essays examine Thomas?s work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists.

Item description from the seller

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