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Cinematically Speaking: The Orality-Litera cy Paradigm for Visual Narrative (The
US $42.95
ApproximatelyS$ 55.04
Condition:
“Hardcover. Covers show very minor shelf wear by inside hinge, otherwise an unblemished copy.”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Grand Rapids, Michigan, United States
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Estimated between Thu, 28 Aug and Tue, 2 Sep
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eBay item number:383588068863
Item specifics
- Condition
- Very Good
- Seller Notes
- “Hardcover. Covers show very minor shelf wear by inside hinge, otherwise an unblemished copy.”
- Artist
- Nayar, Sheila J.
- ISBN
- 9781572739642
About this product
Product Identifiers
Publisher
Hampton Press, Incorporated
ISBN-10
1572739649
ISBN-13
9781572739642
eBay Product ID (ePID)
92900281
Product Key Features
Number of Pages
Xiv, 248 Pages
Language
English
Publication Name
Cinematically Speaking : the Orality-Literacy Paradigm for Visual Narrative
Subject
Film / General, Screenplays
Publication Year
2011
Type
Textbook
Subject Area
Performing Arts
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
13 Oz
Item Length
9.8 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2010-028038
Dewey Edition
23
Dewey Decimal
791.4301
Synopsis
Proposing that orality and literacy play a fundamental role in shaping visual storytelling, this challenges the ways we think about how film stories get shaped, as well as the notion of film as an autonomous mode of storytelling construction., Most people think of film narrative in fundamentally visual terms. But what if visuality is only one component of a larger epistemic framework for how film narrative "works"? In this book, the author argues just that, laying out the comprehensive terrain for what has already been described as a "controversial new theory of cinematic literacy." Proposing that orality and literacy play a fundamental role in shaping visual storytelling, Nayar challenges the ways we think about how film stories get shaped, as well as the notion of film as an autonomous mode of storytelling construction. Narrative and aesthetic principles of film, the author demonstrates, are in fact significantly impacted by ways of knowing that have--or, in some cases, that have not--emerged as a consequence of a cultural investment in reading, writing, and print. Between close readings of 1950s-1960s Bollywood cinema and modernist art cinema, as well as of many cinemas in between, this book casts a pioneering lens on what goes into shaping screen stories worldwide. It is a theoretical work certain to alter our understanding and future exploration of the narrative-film species.
LC Classification Number
PN1995.N372 2010
Item description from the seller
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