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Complete Songs for Solo Voice and Piano, Series I (Dover Song Collections)

by Johannes Brahms | PB | Good
US $10.16
ApproximatelyS$ 13.06
Condition:
Good
Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ... Read moreabout condition
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eBay item number:376383576388
Last updated on Jul 17, 2025 03:42:49 SGTView all revisionsView all revisions

Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See all condition definitionsopens in a new window or tab
Seller Notes
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780486238203

About this product

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486238202
ISBN-13
9780486238203
eBay Product ID (ePID)
727089

Product Key Features

Original Language
German
Book Title
Complete Songs for Solo Voice and Piano
Number of Pages
224 Pages
Language
English
Topic
Printed Music / Vocal, Genres & Styles / Classical
Publication Year
1979
Features
Reprint
Genre
Music
Author
Johannes Brahms
Book Series
Dover Song Collections
Format
Trade Paperback

Dimensions

Item Weight
22 Oz
Item Length
12 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
LCCN
79-050615
Edition Description
Reprint
Synopsis
"These songs are a source of endless delight, and when, as often happens, this beautifully polished musicianship is set alight with the glow of personal emotion, the results are of the highest and most lasting value." -- Grove's Dictionary . Brahms's melodic gifts and genuine emotional response to poetry produced some of the finest German songs, equaling and occasionally surpassing Schubert in lyricism. Frequent performances and recordings of these songs continue to prove Brahms's lasting contribution to this domain and create a need for authentic, accessible printed music. The finest complete musical transcript of Brahms, published by Breitkopf & Hartel (for whom Brahms worked as an editor), is reproduced here -- the authoritative texts with new translations of the lyrics. This volume (Series I of the complete Dover Brahms songs, published in four volumes) contains Stanley Appelbaum's new literal prose translations of 55 songs, published from 1854 to 1869, including the 15-song cycle Die schone Magelone , based on Tieck's novella (synopsis provided). Grove's Dictionary characterized this cycle as "full of very individual music, ranging in mood from the beautifully serene lullaby 'Ruhe, Sussliebchen' to the rugged energy of 'Verzweiflung, ' and the splendidly broad opening melody of 'Wie froh und frisch.'" Brahms found inspiration mainly in the German poets (with an occasional translation of the Persian Hafiz or the French poet-king Thibault IV) but his rhythms and melodies most often reflect his own complex personality rather than the conventional German folk-song style advocated by his fellow "nationalistic" composers. In addition to the song texts, a translation of the original editor's commentary has been included, plus new listings of titles, opening lines, and the poets. With this edition one may appreciate, play, and sing Brahms's lieder from legible notation, printed with wide margins on strong opaque paper, bound for durability on the music stand. Nowhere else are the great songs of Brahms available to musicians, students, and classical music lovers, at the lowest price and highest quality of design and reproduction., "These songs are a source of endless delight, and when, as often happens, this beautifully polished musicianship is set alight with the glow of personal emotion, the results are of the highest and most lasting value." - Grove's Dictionary . Brahms's melodic gifts and genuine emotional response to poetry produced some of the finest German songs, equaling and occasionally surpassing Schubert in lyricism. Frequent performances and recordings of these songs continue to prove Brahms's lasting contribution to this domain and create a need for authentic, accessible printed music. The finest complete musical transcript of Brahms, published by Breitkopf & Hrtel (for whom Brahms worked as an editor), is reproduced here - the authoritative texts with new translations of the lyrics. This volume (Series I of the complete Dover Brahms songs, published in four volumes) contains Stanley Appelbaum's new literal prose translations of 55 songs, published from 1854 to 1869, including the 15-song cycle Die schne Magelone , based on Tieck's novella (synopsis provided). Grove's Dictionary characterized this cycle as "full of very individual music, ranging in mood from the beautifully serene lullaby 'Ruhe, Sssliebchen' to the rugged energy of 'Verzweiflung,' and the splendidly broad opening melody of 'Wie froh und frisch.'" Brahms found inspiration mainly in the German poets (with an occasional translation of the Persian Hafiz or the French poet-king Thibault IV) but his rhythms and melodies most often reflect his own complex personality rather than the conventional German folk-song style advocated by his fellow "nationalistic" composers. In addition to the song texts, a translation of the original editor's commentary has been included, plus new listings of titles, opening lines, and the poets. With this edition one may appreciate, play, and sing Brahms's lieder from legible notation, printed with wide margins on strong opaque paper, bound for durability on the music stand. Nowhere else are the great songs of Brahms available to musicians, students, and classical music lovers, at the lowest price and highest quality of design and reproduction., "These songs are a source of endless delight." - Grove Dictionary . Features new prose translations of nearly 60 lovely songs first published from 1854 to 1869, including the 15-song cycle Die schne Magelone .  

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