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Narrating Social Order : Agoraphobia and the Politics of Classifi

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eBay item number:376377052011
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Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Former library book; may include library markings. Used book that is in excellent condition. May ...
Features
EX-LIBRARY
Book Title
Narrating Social Order : Agoraphobia and the Politics of Classifi
ISBN
9780802090881

About this product

Product Identifiers

Publisher
University of Toronto Press
ISBN-10
0802090885
ISBN-13
9780802090881
eBay Product ID (ePID)
54349361

Product Key Features

Number of Pages
277 Pages
Language
English
Publication Name
Narrating Social Order : Agoraphobia and the Politics of Classification
Publication Year
2007
Subject
Psychopathology / Anxieties & Phobias, Mental Health, Social Psychology
Type
Textbook
Subject Area
Psychology
Author
Shelley Z. Reuter
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
23.5 Oz
Item Length
9.3 in
Item Width
6.3 in

Additional Product Features

Edition Number
2
Intended Audience
Scholarly & Professional
Grade From
College Graduate Student
Synopsis
Agoraphobia, the fear of open spaces, has received minimal attention from sociologists. Yet implicit within psychiatric discussion of this disease is a normative account of society, social order, social ordering, and power relations, making agoraphobia an excellent candidate for sociological interpretation. Narrating Social Order provides the first critical sociological framework for understanding agoraphobia, as well as the issue of psychiatric classification more generally. Shelley Z. Reuter explores three major themes in her analysis: agoraphobia in the context of gender, race, and class; the shift in recent decades from an emphasis on psychoanalytic explanations for mental diseases to an emphasis on strictly biogenic explanations; and, finally, embodiment as a process that occurs in and through disease categories. Reuter provides a close reading of reports of agoraphobia beginning with the first official cases, along with the DSM and its precursors, illustrating how a "psychiatric narrative" is contained within this clinical discourse. She argues that, while the disease embodies very real physiological and emotional experiences of suffering, implicit in this fluid and shifting discourse are socio-cultural assumptions. These assumptions, and especially the question of what it means, both medically and culturally, to be 'normal' and 'pathological, ' demonstrate the overlap between the psychiatric narrative of agoraphobia and socio-cultural narratives of exclusion. Ultimately, Reuter seeks to confront the gap that exists between sociological and psychiatric conceptions of mental disease and to understand the relationship between biomedical and cultural knowledges., Reuter seeks to confront the gap that exists between sociological and psychiatric conceptions of mental disease and to understand the relationship between biomedical and cultural knowledges., Agoraphobia, the fear of open spaces, has received minimal attention from sociologists. Yet implicit within psychiatric discussion of this disease is a normative account of society, social order, social ordering, and power relations, making agoraphobia an excellent candidate for sociological interpretation. Narrating Social Order provides the first critical sociological framework for understanding agoraphobia, as well as the issue of psychiatric classification more generally. Shelley Z. Reuter explores three major themes in her analysis: agoraphobia in the context of gender, race, and class; the shift in recent decades from an emphasis on psychoanalytic explanations for mental diseases to an emphasis on strictly biogenic explanations; and, finally, embodiment as a process that occurs in and through disease categories. Reuter provides a close reading of reports of agoraphobia beginning with the first official cases, along with the DSM and its precursors, illustrating how a "psychiatric narrative" is contained within this clinical discourse. She argues that, while the disease embodies very real physiological and emotional experiences of suffering, implicit in this fluid and shifting discourse are socio-cultural assumptions. These assumptions, and especially the question of what it means, both medically and culturally, to be 'normal' and 'pathological,' demonstrate the overlap between the psychiatric narrative of agoraphobia and socio-cultural narratives of exclusion. Ultimately, Reuter seeks to confront the gap that exists between sociological and psychiatric conceptions of mental disease and to understand the relationship between biomedical and cultural knowledges.

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