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I'm in the Band: Backstage Notes from the Chick in White Zombie (Paperback or So
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I'm in the Band: Backstage Notes from the Chick in White Zombie (Paperback or So
US $24.82US $24.82
Oct 16, 00:36Oct 16, 00:36

I'm in the Band: Backstage Notes from the Chick in White Zombie (Paperback or So

US $24.82
ApproximatelyS$ 32.11
Condition:
Brand New
5 available
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    Located in: Grand Rapids, Michigan, United States
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    eBay item number:365800783893
    Last updated on Oct 11, 2025 04:12:59 SGTView all revisionsView all revisions

    Item specifics

    Condition
    Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
    EAN
    9781593762995
    ISBN
    1593762992
    Manufacturer
    Soft Skull Press
    Brand
    Soft Skull Press
    Binding
    TP
    Category

    About this product

    Product Identifiers

    Publisher
    Counterpoint Press
    ISBN-10
    1593762992
    ISBN-13
    9781593762995
    eBay Product ID (ePID)
    84526235

    Product Key Features

    Book Title
    I'm in the Band : Backstage Notes from the Chick in White Zombie
    Number of Pages
    192 Pages
    Language
    English
    Publication Year
    2010
    Topic
    Women, Feminism & Feminist Theory, Genres & Styles / Heavy Metal, Composers & Musicians, Genres & Styles / Rock
    Illustrator
    Yes
    Genre
    Music, Social Science, Biography & Autobiography
    Author
    Sean Yseult
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.6 in
    Item Weight
    27.6 Oz
    Item Length
    11.1 in
    Item Width
    8.6 in

    Additional Product Features

    Intended Audience
    Trade
    Reviews
    Praise for I'm In the Band "[ I'm In the Band ] is not only a chronicle WZ fans will enjoy, it's a colorful and honest look at band life from a female perspective in general." -- LA Weekly "An essential read for not only anyone who ever liked the band, but also for any young band who, when life appears to be getting in the way of their dream, will be inspired by Yseult and Zombie's climb from poverty to platinum level. . . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." --Uber Rock, "[ I'm In the Band ] is not only a chronicle WZ fans will enjoy, it's a colorful and honest look at band life from a female perspective in general. LA Weekly "An essential read for not only anyone who ever liked the band, but also for any young band who, when life appears to be getting in the way of their dream, will be inspired by Yseult and Zombie's climb from poverty to platinum level. . . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." Uber Rock
    Dewey Edition
    22
    Dewey Decimal
    782.42166092
    Synopsis
    Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto . But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman. I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene. With I'm In the Band , Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age., "A fascinating scrapbook documenting a time in the life of a female musician. . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." --Uber Rock Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto . But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman. I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene.With I'm In the Band , Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age., "A fascinating scrapbook documenting a time in the life of a female musician . . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." --Uber Rock Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto . But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman. I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene. With I'm In the Band , Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age., "A fascinating scrapbook documenting a time in the life of a female musician. . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." --Uber Rock Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto . But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman. I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene. With I'm In the Band , Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age., "A fascinating scrapbook documenting a time in the life of a female musician . . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." -Uber Rock Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto . But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman. I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene. With I'm In the Band , Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age.
    LC Classification Number
    ML420

    Item description from the seller

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