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* Improvisation: Its Nature and Practice in Music by Derek Bailey: Used
US $14.99
ApproximatelyS$ 19.27
Condition:
“nice tight clean like new copy”
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Dacono, Colorado, United States
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Coverage:
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eBay item number:365636934825
Item specifics
- Condition
- Like New
- Seller Notes
- “nice tight clean like new copy”
- Pages
- 160
- Publication Date
- 1993-08-22
- ISBN
- 9780306805288
About this product
Product Identifiers
Publisher
Hachette Books
ISBN-10
0306805286
ISBN-13
9780306805288
eBay Product ID (ePID)
120185
Product Key Features
Book Title
Improvisation : Its Nature and Practice in Music
Number of Pages
160 Pages
Language
English
Topic
History & Criticism, Instruction & Study / Composition, Instruction & Study / Techniques
Publication Year
1993
Features
Revised
Illustrator
Yes
Genre
Music
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
7.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
93-024899
Dewey Edition
18
Dewey Decimal
781.6/5/0903
Edition Description
Revised edition
Synopsis
Derek Bailey's Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms--Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers--including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Pe a, Max Roach, Evan Parker, and Ronnie Scott--Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making., Derek Bailey's Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms,Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers,including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott,Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making., Derek Bailey's Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms--Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers--including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott--Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making., Derek Bailey's Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms,Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers,including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Pena, Max Roach, Evan Parker, and Ronnie Scott,Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.
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