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Les Lunaisiens - Merd v la hiver Complaintes des gens rue [New CD]
US $20.98
ApproximatelyS$ 26.80
Condition:
Brand New
An item that has never been opened or removed from the manufacturer's sealing. Item is in original shrink wrap.
More than 10 available
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Free Economy Shipping.
Located in: Shepherdsville, Kentucky, United States
Delivery:
Estimated between Tue, 29 Jul and Sat, 2 Aug to 94104
Returns:
60 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:364760173196
Item specifics
- Condition
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- Merd v la hiver Complaintes des gens rue
- Album Name
- Merd v la hiver Complaintes des gens rue
- Type
- Album
- Brand
- Alpha
- UPC
- 3760014198878
About this product
Product Identifiers
Record Label
Alpha, Allp
UPC
3760014198878
eBay Product ID (ePID)
4056793745
Product Key Features
Release Year
2022
Format
CD
Genre
Classical Artists
Artist
D'oustrac / Marzorati / Les Lunaisiens
Release Title
Merd V La Hiver Complaintes Des Gens Rue
Dimensions
Item Height
0.26 in
Item Weight
0.17 lb
Item Length
5.49 in
Item Width
4.83 in
Additional Product Features
Country/Region of Manufacture
United States
Number of Discs
1
Notes
It was inevitable that the abundant discography of Les Lunaisiens would one day turn it's attention to the Complainte des rues, a 'lament' that tells the dark and tragic story of the wretched nobodies of society who can only protest their misery and hunger! 'Merd' v'là l'hiver!': these are the grim opening words of Les Soliloques du pauvre by the poet Jehan Rictus (1867-1933), a work which Arnaud Marzorati has made the focus of a programme whose repertory deals with homeless people, the working poor, prostitutes and abandoned children. For nothing was worse for street singers than the approach of wintry weather; already constantly chased away, they would have to sing their songs in taverns or seedy cafés, where they were not always welcome... These somber tableaux constitute an essential part of the heritage of French chanson. But such laments become truly memorable thanks to the power of their performers; the greatest female artistes reigned supreme, each in her own era, by distilling misery, rage and love - Damia, Fréhel, and of course Édith Piaf. Stéphanie d'Oustrac, an incomparable interpreter of Bizet's Carmen, takes on as to the manner born this new role as an insolent woman of the people.
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