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Imperialism at Home: Race and Victorian Women's Fiction (Reading Women Writing),
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Condition:
“Some pencil underlining and writing. Good paperback, bumped/creased with shelfwear; may have ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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eBay item number:364634029307
Item specifics
- Condition
- Good
- Seller Notes
- Publication Name
- Imperialism at Home: Race and Victorian Women's Fiction (Reading
- Type
- Textbook
- ISBN
- 9780801482557
About this product
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801482550
ISBN-13
9780801482557
eBay Product ID (ePID)
289766
Product Key Features
Book Title
Imperialism at Home : Race and Victorian Women's Fiction
Number of Pages
232 Pages
Language
English
Topic
Women Authors, General, Semiotics & Theory
Publication Year
1996
Genre
Literary Criticism
Book Series
Reading Women Writing Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
95-049466
Dewey Edition
20
Reviews
"Meyer's readings are most interesting when she charts the different ways in which the metaphorical linkage between gender and race rebellion collapses or is rewritten as the narrative proceeds. By giving us a complex sense of the multiple routes the connection between race and gender could take, Meyer's book beautifully maps out the ideological limits of what Raymond Williams calls a 'structure of feeling'"--Elsie B. Michie, Modern Philology, Meyer's readings are most interesting when she charts the different ways in which the metaphorical linkage between gender and race rebellion collapses or is rewritten as the narrative proceeds. By giving us a complex sense of the multiple routes the connection between race and gender could take, Meyer's book beautifully maps out the ideological limits of what Raymond Williams calls a 'structure of feeling'., "Meyer's readings are most interesting when she charts the different ways in which the metaphorical linkage between gender and race rebellion collapses or is rewritten as the narrative proceeds. By giving us a complex sense of the multiple routes the connection between race and gender could take, Meyer's book beautifully maps out the ideological limits of what Raymond Williams calls a 'structure of feeling'"-Elsie B. Michie, Modern Philology
Grade From
College Graduate Student
Dewey Decimal
823/.809355
Synopsis
The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre , Wuthering Heights , The Mill on the Floss , Daniel Deronda , and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism., The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race..., The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Bront , Emily Bront , and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre , Wuthering Heights , The Mill on the Floss , Daniel Deronda , and Charlotte Bront 's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.
LC Classification Number
PR878.R34M49 1996
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