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Pablo Picasso: Between Cubism and Neoclassicism: 1915–1925, Woodcock, Sarah,Lore
US $44.70
ApproximatelyS$ 56.95
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Condition:
“HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Free Economy Shipping.
Located in: Harrisburg, Pennsylvania, United States
Delivery:
Estimated between Thu, 10 Jul and Wed, 16 Jul to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
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eBay item number:364517960057
Item specifics
- Condition
- Good
- Seller Notes
- ISBN
- 9788857236933
About this product
Product Identifiers
Publisher
Skira Editore
ISBN-10
8857236935
ISBN-13
9788857236933
eBay Product ID (ePID)
239558051
Product Key Features
Book Title
Picasso: between Cubism and Classicism 1915-1925
Number of Pages
256 Pages
Language
English
Publication Year
2018
Topic
History / Modern (Late 19th Century to 1945), Individual Artists / General, Individual Artists / Monographs, History / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
60.9 Oz
Item Length
11.3 in
Item Width
9.8 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
759.6
Synopsis
One hundred years on, this book portrays Picasso s legendary 1917 journey to Rome and Naples with Jean Cocteau, Igor Stravinsky and the company of Sergei Diagilhev s Ballet Russes. lt was during this trip that he met and fell in love with the company s leading dancer, Olga Khokhlova, who would become his first wife. In addition to the extraordinary weeks spent in ltaly, which were pivotal for the development of Picasso s art during the postwar years, the monograph also examines his production immediately after, with particular reference to the ballets Parade and Pulcinella , as well as those paintings indebted to the iconographic and cultural worlds to which these ballets introduced him. The book focuses on Picasso s ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during World War I, to the sophisticated realism of the years of his association with Diagilhev. It also documents the long-term impact of the ltalian journey on Picasso s art. With over 100 works, including iconic paintings, drawings and photographs, Between Cubism and Neoclassicism shows masterpieces and key works of this period, illuminating the classical elements throughout the artist s career., One hundred years on, this book portrays Picasso's legendary 1917 journey to Rome and Naples with Jean Cocteau, Igor Stravinsky and the company of Sergei Diagilhev's Ballet Russes. lt was during this trip that he met and fell in love with the company's leading dancer, Olga Khokhlova, who would become his first wife. In addition to the extraordinary weeks spent in ltaly, which were pivotal for the development of Picasso's art during the postwar years, the monograph also examines his production immediately after, with particular reference to the ballets Parade and Pulcinella , as well as those paintings indebted to the iconographic and cultural worlds to which these ballets introduced him. The book focuses on Picasso's ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during World War I, to the sophisticated realism of the years of his association with Diagilhev. It also documents the long-term impact of the ltalian journey on Picasso's art. With over 100 works, including iconic paintings, drawings and photographs, Between Cubism and Neoclassicism shows masterpieces and key works of this period, illuminating the classical elements throughout the artist's career., One hundred years later, this book evokes Picasso's journey to Rome and Naples with Jean Cocteau, Igor Stravinsky and the company of Sergei Djagilev's Ballet Russes . lt was during this trip that he met and fell in love with the company's leading dancer, Olga Khokhlova, who would become his first wife. In addition to the few extraordinary weeks spent in ltaly, which were pivotal in the development of Picasso's art during the post-war years, the monograph also examines his production immediately after this ltalian experience, with particular reference to the ballets Parade and Pulcinella , as well as those paintings indebted to the iconographic and cultural world that these two works had introduced him to. The book focuses on Picasso's ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during the Great War, to the sophisticated realism of the years of his association with Djagilev. It also documents the long-term impact of his ltalian journey on Picasso's art, which necessarily involves the study of some of the works of Classical inspiration executed in later years. With over 100 works including iconic paintings, drawings and photographs, the book shows masterpieces and key works of this period of Picasso's production (1915-1925), with the aim of pointing out hidden links, temporary resurfocings or originai pre existence of Classical elements throughout the artist's career.
LC Classification Number
ND813
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- m***o (766)- Feedback left by buyer.Past monthVerified purchaseBook as described and fast shipping and delivery
- a***y (52)- Feedback left by buyer.Past monthVerified purchaseperfect condition, exquisitely wrapped. That’s always appreciated. Midtown has been solid through and through over the years. Highly recommended.
- p***r (35)- Feedback left by buyer.Past monthVerified purchaseI bought a book for a total of $43, which included $10 for shipping and $3 in tax. Unfortunately, returning it cost me another $8, so I ended up taking a loss of nearly 50%. The book’s description was vague, and I should have done more research before buying—so I’ll call it a shared mistake. That said, I’d still consider visiting their store in person. Physical bookstores are rare these days, and I’d be happy to support one directly where I can see what I’m buying.