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What Is Cinema? Volume II by Andre Bazin: Used
US $10.24
ApproximatelyS$ 13.21
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Located in: Sparks, Nevada, United States
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eBay item number:364014771569
Item specifics
- Condition
- Publication Date
- 2004-12-13
- Pages
- 226
- ISBN
- 0520242289
About this product
Product Identifiers
Publisher
University of California Press
ISBN-10
0520242289
ISBN-13
9780520242289
eBay Product ID (ePID)
30504610
Product Key Features
Book Title
What Is Cinema? Volume II
Number of Pages
240 Pages
Language
English
Topic
Film / General
Publication Year
2004
Features
Revised
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
10.7 Oz
Item Length
8.2 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-049843
Dewey Edition
22
Number of Volumes
2 vols.
Volume Number
Vol. 2
Dewey Decimal
791.43
Edition Description
Revised edition
Synopsis
AndrÉ Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du CinÉma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protÉgÉ of FranÇois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not.", Andr Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cin ma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the prot g of Fran ois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not.", André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."
LC Classification Number
2004049843
Item description from the seller
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Seller feedback (513,551)
- c***s (1116)- Feedback left by buyer.Past monthVerified purchasewoohoo ty
- 7***7 (1788)- Feedback left by buyer.Past monthVerified purchaseExcellent 👌 transaction. Item arrived as seller described in good condition. Thank you
- l***h (568)- Feedback left by buyer.Past monthVerified purchaseFast shipping... Great condition and exactly what I requested. Thank you!!