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Language and the Renewal of Society in Walt Whitman, Laura (Riding) Jackson, and
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Language and the Renewal of Society in Walt Whitman, Laura (Riding) Jackson, and
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Language and the Renewal of Society in Walt Whitman, Laura (Riding) Jackson, and

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Condition:
Very Good
HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ... Read moreabout condition
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    Item specifics

    Condition
    Very Good
    A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
    Seller Notes
    “HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ...
    ISBN
    9780230608368

    About this product

    Product Identifiers

    Publisher
    Palgrave Macmillan
    ISBN-10
    0230608361
    ISBN-13
    9780230608368
    eBay Product ID (ePID)
    64431374

    Product Key Features

    Number of Pages
    Xx, 219 Pages
    Language
    English
    Publication Name
    Language and the Renewal of Society in Walt Whitman, Laura (Riding) Jackson, and Charles Olson : The American Cratylus
    Publication Year
    2009
    Subject
    Women Authors, General, Linguistics / Sociolinguistics, Poetry, American / General, Modern / 19th Century
    Type
    Textbook
    Author
    Carla Billitteri
    Subject Area
    Literary Criticism, Poetry, Language Arts & Disciplines
    Series
    Modern and Contemporary Poetry and Poetics Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    0.7 in
    Item Weight
    15.2 Oz
    Item Length
    8.7 in
    Item Width
    5.7 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2008-036705
    Reviews
    "Carla Billitteri's work expresses an abiding concern for what Laura (Riding) Jackson called 'truth telling.' In this book, Billitteri brings to modern poetics an interest in reviving poetry's claims to authenticity, accuracy, truththose old fashioned topics that are presumably among the grand narratives that postmodernism has successfully jettisoned. She comes to these issues with a formidable knowledge of western philosophy and language theory combined with a capacious understanding of modernist poetics, always testing claims for art's productive power against its relationship to the social and political."--Michael Davidson, University of California, San Diego "Poetry has never been able to shake the nagging thought that maybe Cratylus was right after all: meaning resides in the material imminence of language. With lucidity, craft and perceptive distillation, Billitteri reads that skeptical legacy into the transcendentalist language of American literature and the modes of linguistic social utopias it has imagined again and again. Here we have an account of 'true poetry,' in the Emersonian sense: 'not so much the language of things as the language of the ideas that things allow us to think.' This is an immensely important topic; scholars and poets alike owe Billitteri thanks for taking it on."--Craig Dworkin, Professor of English, The University of Utah "Focusing on three major poets, each of whom represent particular, large, and different problems for the reader and critic, Billitteri moves gracefully through American poetry since the mid-nineteenth century to the present, with one hand confidently on literary theory and the other on cultural history. The book is a serious contribution to the knowledge base and will enter a group of a perhaps a dozen books that define the central core of the American poetic tradition."--Don Byrd, Department of English, State University of New York at Albany,  "Carla Billitteri's work expresses an abiding concern for what Laura (Riding) Jackson called 'truth telling.' In this book, Billitteri brings to modern poetics an interest in reviving poetry's claims to authenticity, accuracy, truththose old fashioned topics that are presumably among the grand narratives that postmodernism has successfully jettisoned. She comes to these issues with a formidable knowledge of western philosophy and language theory combined with a capacious understanding of modernist poetics, always testing claims for art's productive power against its relationship to the social and political."--Michael Davidson, University of California, San Diego"Poetry has never been able to shake the nagging thought that maybe Cratylus was right after all: meaning resides in the material imminence of language. With lucidity, craft and perceptive distillation, Billitteri reads that skeptical legacy into the transcendentalist language of American literature and the modes of linguistic social utopias it has imagined again and again. Here we have an account of 'true poetry,' in the Emersonian sense: 'not so much the language of things as the language of the ideas that things allow us to think.' This is an immensely important topic; scholars and poets alike owe Billitteri thanks for taking it on."--Craig Dworkin, Professor of English, The University of Utah"Focusing on three major poets, each of whom represent particular, large, and different problems for the reader and critic, Billitteri moves gracefully through American poetry since the mid-nineteenth century to the present, with one hand confidently on literary theory and the other on cultural history. The book is a serious contribution to the knowledge base and will enter a group of a perhaps a dozen books that define the central core of the American poetic tradition."--Don Byrd, Department of English, State University of New York at Albany, "Carla Billitteri's work expresses an abiding concern for what Laura (Riding) Jackson called 'truth telling.' In this book, Billitteri brings to modern poetics an interest in reviving poetry's claims to authenticity, accuracy, truththose old fashioned topics that are presumably among the grand narratives that postmodernism has successfully jettisoned. She comes to these issues with a formidable knowledge of western philosophy and language theory combined with a capacious understanding of modernist poetics, always testing claims for art's productive power against its relationship to the social and political."--Michael Davidson, University of California, San Diego "Poetry has never been able to shake the nagging thought that maybe Cratylus was right after all: meaning resides in the material imminence of language. With lucidity, craft and perceptive distillation, Billitteri reads that skeptical legacy into the transcendentalist language of American literature and the modes of linguistic social utopias it has imagined again and again. Here we have an account of 'true poetry,' in the Emersonian sense: 'not so much the language of things as the language of the ideas that things allow us to think.' This is an immensely important topic; scholars and poets alike owe Billitteri thanks for taking it on."--Craig Dworkin, Professor of English, The University of Utah "Focusing on three major poets, each of whom represent particular, large, and different problems for the reader and critic, Billitteri moves gracefully through American poetry since the mid-nineteenth century to the present, with one hand confidently on literary theory and the other on cultural history. The book is a serious contribution to the knowledge base and will enter a group of a perhaps a dozen books that define the central core of the American poetic tradition."--Don Byrd, Department of English, State University of New York at Albany
    Dewey Edition
    22
    Number of Volumes
    1 vol.
    Illustrated
    Yes
    Dewey Decimal
    811.009/3552
    Table Of Content
    The True Forms of Things: Cratylism and American Poetry Substantial Words: Walt Whitman and the Power of Names The Linguistic Ultimate: Laura (Riding) Jackson and the Language of Truth A State Destroys a Noun: Charles Olson and Objectism Coda: Language Poetry and Neo-Cratylism
    Synopsis
    This book takes up the utopian desire for a perfect language of words that give direct expression to the real, known in Western thought as Cratylism, and its impact on the social visions and poetic projects of three of the most intellectually ambitious of American writers: Walt Whitman, Laura (Riding) Jackson, and Charles Olson.
    LC Classification Number
    PN1010-1551

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