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Charlie Parker Quintet Jazz at Massey Hall (Vinyl)

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Located in: GU14 0GT, United Kingdom
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Last updated on Jun 11, 2024 21:46:00 SGTView all revisionsView all revisions

Item specifics

Condition
New: A brand-new, unused, unopened, undamaged item. See the seller's listing for full details. See all condition definitionsopens in a new window or tab
Title
Jazz at Massey Hall
No Of Discs
1
MPN
840101
Release Date
17/04/2020
Color
Yellow coloured vinyl.
EAN
8436563182747
UPC
8436563182747
Artist
Charlie Parker (Sax)
Type
LP
Format
Vinyl
Release Year
2009
Record Label
Birds Nest
Release Title
Jazz at Massey Hall [LP]
Style
Bebop
Genre
Jazz Instrument
Edition
Live

About this product

Product Identifiers

Record Label
Birds Nest
UPC
8436563182747
eBay Product ID (ePID)
5050161382

Product Key Features

Edition
Live
Release Year
2009
Format
Vinyl
Genre
Jazz Instrument
Type
LP
Style
Bebop
Artist
Charlie Parker (Sax)
Release Title
Jazz at Massey Hall [LP]

Additional Product Features

Additional information
This concert was held at Massey Hall in Toronto, Canada on May 15, 1953, and was recorded by bassist Charles Mingus, who overdubbed some additional bass parts and issued it on his own Debut label as the Quintet's Jazz at Massey Hall. Charlie Parker (listed on the original album sleeve as "Charlie Chan") performed on a plastic alto, pianist Bud Powell was stone drunk from the opening bell, and Dizzy Gillespie kept popping offstage to check on the status of the first Rocky Marciano-Jersey Joe Walcott heavyweight championship bout. Subsequent editions of this evening were released as a double live album (featuring Bud Powell's magnificent piano trio set with Mingus and Roach), dubbed The Greatest Jazz Concert Ever. The hyperbole is well-deserved, because at the time of this concert, each musician on Jazz at Massey Hall was considered to be the principle instrumental innovator within the bebop movement. All of these musicians were influenced by Charlie Parker, and their collective rapport is magical. As a result, their fervent solos on the uptempo tunes ("Salt Peanuts" and "Wee") seem to flow like one uninterrupted idea. "All The Things You Are" redefines Jerome Kern's classic ballad, with frequent echoes of "Grand Canyon Suite" from Bird and Diz, and a ruminative solo by Powell. And on Gillespie's classic "Night in Tunisia," the incomparable swagger of Bird's opening break is matched by the keening emotional intensity of Gillespie's daredevil flight. A legendary set, no matter how or when or where it's issued.
Number of discs
1

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