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Ash Ra Tempel Le Berceau De Cristal (CD) Album

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Price:
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Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer's sealing. Item is in ...
Title
Le Berceau De Cristal
EAN
4260017591328
Edition
Album
Release Date
30/09/2016
No Of Discs
1
MPN
MGART132
UPC
4260017591328
Artist
Ash Ra Tempel
Format
CD
Record Label
Mg.Art
Producer
Manuel Gottsching
Release Year
1994
Release Title
Le Berceau De Cristal
Style
Art Rock
Genre
Rock
Run Time
60 Mins 23 Seconds

About this product

Product Identifiers

Producer
Manuel Gottsching
Record Label
Mg.Art
UPC
4260017591328
eBay Product ID (ePID)
9050167063

Product Key Features

Artist
Ash Ra Tempel
Format
CD
Release Year
1994
Style
Art Rock
Release Title
Le Berceau De Cristal
Genre
Rock
Run Time
60 Mins 23 Seconds

Additional Product Features

Distribution
Groove Distribution
Number of Discs
1
Country/Region of Manufacture
USA
Additional information
Personnel: Lutz Ulbrich (acoustic guitar, electric guitar, synthesizer); Manuel Göttsching (electric guitar, Farfisa, computer). Audio Mixer: Manuel Göttsching. Liner Note Author: Manuel Göttsching. Recording information: Palais du Festival, Cannes (08/07/1975); Studio Roma, Berlin (08/07/1975); Palais du Festival, Cannes (1975); Studio Roma, Berlin (1975). Photographer: Ulrich Kilian. Although not released until 1993, Le Berceau de Cristal was originally the soundtrack to Philippe Garrel's 1976 film of that name, providing an appropriately hallucinatory backdrop to Nico's musings and her oneiric encounters with various pseudo-mythological characters. Le Berceau de Cristal shows continuity with 1975's Inventions for Electric Guitar, enveloping listeners in analog ambient-minimalist soundscapes that anticipate the work of subsequent generations of electronic musicians. This time, however, Manuel Göttsching is joined by Agitation Free guitarist Lutz Ulbrich and expands his instrumental palette slightly to include Farfisa organ, synth guitar, and rhythm computer. Working within the seemingly limited parameters of minimalism, the pair infuse this material with a diverse range of dynamics, moods, and textures: "Silence Sauvage" blends drones, magma-like bubbling, and subtly shifting rhythmic figures while "Le Sourire Envolé" sustains a warm, blissful pulse that's metronomic but utterly mesmeric. The most compelling track, "Deux Enfants Sous la Lune," attains a heady, hypnotic complexity evoking Terry Riley's "A Rainbow in Curved Air." While these tracks emphasize detailed repetition, with sparse patterns of notes weaving through intricate sonic canvases, the album also has a more expansive dimension as Göttsching and Ulbrich paint in more bold, sweeping strokes: lulled by austere, atmospheric washes of sound, the 14-minute title track takes listeners on a cosmic journey; similarly epic, the fusion of throbbing drones and spectral, ringing keyboards on "L'Hiver Doux" gathers momentum and urgency. These longer numbers are very much of their time and don't hold up quite as well decades later, yet they stand alongside the best of early-'70s Pink Floyd and Tangerine Dream. Many soundtrack albums aren't as effective without their accompanying visual imagery, but that's not the case with Le Berceau de Cristal, which conjures up its own imaginary film as it bridges the gap between inner and outer space. ~ Wilson Neate

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