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Reframing difference: Beur and banlieu..., Tarr, Carrie
US $7.69
ApproximatelyS$ 9.89
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Located in: Montgomery Illinois, United States
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eBay item number:354680207688
Item specifics
- Condition
- ISBN
- 0719068770
- EAN
- 9780719068775
- Date of Publication
- 20050707
- Publication Name
- N/A
- Type
- Paperback
- Release Title
- Reframing difference: Beur and banlieue filmmaking in France
- Artist
- Tarr, Carrie
- Brand
- N/A
- Colour
- N/A
About this product
Product Identifiers
Publisher
Manchester University Press
ISBN-10
0719068770
ISBN-13
9780719068775
eBay Product ID (ePID)
48643690
Product Key Features
Book Title
Reframing Difference : Beur and Banlieue Filmmaking in France
Number of Pages
240 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
2005
Illustrator
Yes
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
12.2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-541283
Dewey Edition
22
Dewey Decimal
791.430944
Synopsis
This is the first major study of two overlapping strands of contemporary French cinema, "cine ma beur" (films by young directors of Maghrebi immigrant origin) and "cine ma de banlieue" (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassowitz and Djamel Bensalah. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French., Introduction; 1. Questions of identity in beur cinema: From Le The au harem d'Archimede to Cheb; 2. Beurz in the hood: Le The au harem d'Archimede and Hexagone; 3. Ethnicity and identity in Mathieu Kassovitz's Metisse and La Haine; 4. Beur and banlieue cinema in 1995; 5., Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society., Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society. -- .
LC Classification Number
PN1993.5.F7
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Seller feedback (272,224)
- 0***2 (102)- Feedback left by buyer.Past monthVerified purchaseGood item. Fast Shipping. Seller A++
- 0***2 (102)- Feedback left by buyer.Past monthVerified purchaseGood item. Fast Shipping. Seller A++
- d***n (1880)- Feedback left by buyer.Past monthVerified purchaseSo nice!